Lucienne Lovelette TheArtMagazine Collection International 02 February 5, 2014 - ISSN 0799-3609 | Page 12

Episode 02 Collection International January 2014 / Welcome Note

The Artist And His Voice Goes Talking
We all write!
Really?
Yes, we do!
However, we often write with unusual tools and in languages unfamiliar to most, such as with;
paint and brushes, fingers and clay, chemicals and various substrates, structures and cement,
metal and flame, body and movement, drums and hands, lips and flute, needles and scissors,
brain and pages, pots and food, symbols and ink, seeds and soil. We all engage selective and the
most applicable scribing methods and mediums to deliver our messages.
So yes, we all do write!
Though we scribe our messages through varied and selective mediums, most of our messages
get lost in translation, because most of our audience fails in its interpretation for lack of
familiarity and of mastership of the given language. Even when a common tongue is used for
communication, outside the scope of the author’s own mind, one will often misinterpret the intent
of the authors use of the language. I find it necessary that a work of Art is interpreted by the
Author, in as many languages as possible, in so doing, widens and engage the audience and to be
sure that the message gets delivered. When this is done, the author can rest assured that the intent
of the work is fully established, and any other interpretation becomes the sole responsibility and
reflection of the viewer.

“The Work Speaks For Itself!”
“If You Don’t Get It, You Don’t Get It, I Can’t Help You!”
How often have we heard those responses?

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Lucienne Lovelette TheArtMagazine Collection International January 2014

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