LUCE estratti LUCE 325 _Ferrari_Il MAN di Madrid | Page 6

“Sono convinto non si debba mai cadere in una visione nostalgica del passato, e che in epoca contemporanea sia necessario potenziare il valore e il carattere di un edificio antico creando nuove relazioni spaziali e aggiungendo nuovi corpi di fabbrica” “I believe that one must never fall into a nostalgic vision of the past and that it is nowadays necessary to enhance the value and the character of an old building, creating new spatial relations and adding new parts” JUAN PABLO RODRÍGUEZ FRADE The MAN in Madrid and its light The history of Spain through 13,000 artistic and archaeological artefacts E stablished in 1867 by Queen Isabella II, the National Archaeological Museum (MAN) in Madrid displays a wide collection of artistic and archaeological finds coming from the Iberian Peninsula, along with Egyptian, Greek, and Roman artefacts. The goal at the time of its opening was to tell the history of the country, collecting the most important pieces in a single prestigious place. The exhibition includes 13 thousand objects. Located in a neoclassical building designed by Francisco Jareño and affected by Berlin projects of Karl Friedrich Schinkel (1781 –1841), just a few steps away from the Parque del Retiro – the cultural district of the Spanish capital which houses other important institutions such as the Reina Sofia, the Thyssen- Bornemisza, the Caixa Forum and the Prado –, the museum shares the premises with the National Library. It recently underwent a major restoration that led to a complete rearrangement of the museum, refreshing its splendour. The works were also essential to update the exhibitions museography and to adjust the inner spaces to contemporary needs in terms of safety and compliance with regulations. The project is signed by Frade Arquitectos, winner of the public competition organized for the occasion. Juan Pablo Rodríguez Frade, founder of the firm, tells its origin: “During time, countless interventions have been made on Jareño’s building. During the seventies, under DESIGNING LIGHT / LUCE 325 55