LITERARY MAGAZINE 2014 KRCS MS Volume 5 | Page 6

GRAHAM FELTON - DIGITAL ART ARTIST’S STATEMENT: “The piece that won my ticket to state is called “Formation” which relates back to the fact that the cubes you see form a face that is abstracted to give the viewer a chance to decide what they think the image represents, as there are no wrong answers when it comes to opinions. I created this piece in Maxon’s Cinema 4d R14. My process involved taking a royalty free generic bust of a female head that I was able to mess around with. Before I did anything extremely fancy with it I had to tone the subdivisions of the model down to better sharpen the edges and distort the image. Also, low poly models are processed faster as they require less memory to display and manipulate. Once the subdivisions were brought down, I copied the face so I could have two of them. One would be a ‘host’ for the cubes to be cloned upon and structure the form of the image better. The second would allow the software to make the tubes (known as wireframe), that you see above, and create the model from them. Once the cubes were cloned on, I had a bust with a wireframe structure and a lot of cubes into neat rows being generated. This was not my goal, so I applied a Linear XYZ Shader to both systems to make sure the amount of clones present would be less and concentrated on the right. This gave the piece a lot of movement as it was being constructed. ………...