Kanto No. 4, Vol. 2, 2017 | Page 52

C A N VA S “Most of my artworks are born out of my emotions. They are honest, intimate expressions of what I really feel.” Lately, I am obsessed with composing unfinished sketches of faces and botanical elements pulled out from my old sketchbooks into artworks. I find the process rather nostalgic; this approach enables the depiction of expressive narratives with mundane and minimal elements, something I’ve always wanted to achieve. I guess in broad strokes, my favorite subject is really myself; the artworks I do are ‘self-portraits’ of my continuing foray into the concepts of confinement, isolation and longing. Describe your ideal drawing place. My ideal drawing place would be at a seaside cottage near Bathurst Point lighthouse in Rottnest Island, West Australia. It’s also my dream home. I have always fantasized about living in a beach house, with my studio oriented towards the sea. There would be drips of paint all over the wooden floors and stacked frames and canvases on a corner. I imagine it to be a place that I can relax and be carefree. Tell us about the bravest thing you did. This is a tough one. I feel unease whenever I talk about my depression, but I feel compelled to share two noteworthy points in my life where I decided to be brave. First was when I decided to take up architecture in college despite my health condition. I didn’t know how things would work out back then but I forged on anyway. The second was when I finally gathered up the courage to admit to my parents that I needed help after I tried to take my life one week before my birthday. These were the instances that required a lot of courage on my part; the decision to face my fears and acknowledging my weaknesses has irrevocably changed me. I’ve never felt any braver. More of Rafael's artworks on Instagram @rafaelyapg 50 Contraction series, graphite on paper