Jewellery Focus December 2018 | Page 20

FEATURE ART JEWELLERY Ebony Revolution Necklaces more, because it gives them something special,” she says. “People are moving closer to contemporary art, compared to 15 years ago. Before people tended to buy more antique furniture, whereas now they’re more interested in design pieces, or mixing old furniture with contemporary paintings. They have a different sensibility now.” Interestingly from an artist’s point of view, Brewster believes that while there is a market, with particular interest coming from Germany and in America (where there are shows specifically for art jewellers), overall, art jewellery is one of the most undervalued, leaving huge “gaps in the market”. “When you have such an established concept of what jewellery should be you start to putting restraints on the creative process of making jewellery. I don’t think jewellery itself is valued as an artform as it should be. We have lost the exploration and it has become niche, because of that we have lost some of the power. If you make jewellery people don’t know what it is and they assume jewellery is such a certain specific thing and if that is the case then there is no room for creativity in the field.” ‘‘ In the future people will want to strike out of this very predefined concept of what jewellery is but still make work that is appreciated ‘‘ Simone Brewster 20 JEWELLERY FOCUS The future While Brewster admits it is not “always appropriate” to wear huge art jewellery pieces on an everyday basis, she argues not all art jewellery has to be large in size and can be about the material or shape. She is adamant she will always have a “strong appreciation” for art jewellery and believes so will others “It is not in the markets interest for it to be fully adopted”. “Overall I don’t think it is in the interest of the established industry to change. What I think might actually happen is that we will see more people do what Ted Noten does in regards to his catwalk shows showcasing jewellery or installations in order to get away from the closed definitions of what jewellery is,” Brewster comments. “In the future people will want to strike out of this very predefined concept of what jewellery is but still make work that is appreciated. It is going to be about re-establishing the context of how it is staged and how it is set and it is not just going to be about placing a piece of jewellery on the body.” December 2018 | jewelleryfocus.co.uk