INSIGHT Magazine October 2013 | Page 41

ber, said he was a good drummer. I hit him up on Facebook, and we just started talking. Eventually he noticed some of my posts about dubstep and he asked me if I could play at a party he was throwing. We hit it off pretty well. Been talking every day since. M: I had him teach me some of the programming and how to do mixing and whatnot. We clicked. We figured two people writing was better than one. He hates writing drums, and that’s my thing, so it works out. I: When did you start programming and putting together electronic tracks? N: Many years ago. I started writing electronic music when I was 16 or 17, with MTV Music Generator. I: Oh my lord, man. I used MTV Music Generator. It was a blast. N: It was. I loved that program. I got into many different electronic genres that I enjoy, especially AggroTech. It’s very underground. Not many people have even heard of the genre. I: How about you, Matt? M: I didn’t really get into it until around December of last year, after hearing Excision’s Shambala 2011 mix. I was stuck after that. I: That was when you started hitting raves, right? M: Yeah. A lot of the people you meet are like new wave hippies. [laughs] All the people you meet is what gets you hooked. I: Would you say that’s the crowd you expect to reach with the music you’re making now? It is accessible to everyone or more to a particular taste? N: I want everyone to hear it. It’s not a very offensive style. No lyrics, really, at least not in ours. It’s more about the music, fitting different moods. M: Hopefully people will keep an open mind. I think the trap will go over pretty well. N: I think the dubstep I write will reach out more to the “nerds” than anyone. I: How so? N: I like to add a touch of my lifestyle to my music. Zelda, INSIGHT Star Wars, Final Fantasy… I like using video game sounds in my music. I also try to keep it sounding like a robot fight going down in the living room. M:The “Transformers” kind of robotic feel is what always gets me. I: I dig the robot battle concept. Is the stuff you’re making now considered to be aggressive? You mentioned Aggrotech before but I hadn’t heard that in relation to Pyra-C. N: No, not in relation to Pyra-C. AggroTech is very dark electronic music. The lyrics tend to offend. I: You guys are shooting to have people dance and enjoy themselves at these shows? I don’t gather that you’re just supposed to sit and stare at your drink when you’re listening to dub and trap. N: Dancing is almost required. [laughs] M:No dancing means your DJ isn’t doing it right. N: I would love to see some people do the robot while I’m playing. I: What does a good DJ do to make an impact with the audience? N: Oh, easy.You have to be able to feel the audience. Know what they need. If they have been dancing intensely for a while, give them something more down tempo to chill to for a minute. If you feel they need to be lifted up, give them something more up tempo. Build the mood. Set the groove for the dance floor. M: I’ve always looked at it as finding common ground and playing something that the entire room will get into. October 2013 41