IDENTIDADES 1 ENGLISH IDENTIDADES 9 ENGLISH | Page 11

course, racial problems,” all mixed and
covered by a naïveté that allows,
without respecting any rule, to stay
away from clear of any convention and
to follow his own truth.His art is a song
to the dispossessed and misfits, to the
irreverent and freethinkers. Our cover
for this edition is a deserved recognition
of the artist and his work.
Leonardo Calvo presents, in "SARA:
The spontaneity of a deep voice," a
genuine Cuban artist who, in the short
span of her life, captured in film images
such pressing issues of our reality as the
racial
prejudices,
discrimination,
marginalization and machismo. To this
end, she had to penetrate —with her
searching, original and critical as a high
stature creator— into the most intricate
spaces of our social fabric, which were
ignored in "One way or another" by
many institutions of the national
culture. Her posthumous masterpiece, In
one way or another (1974), is a
classic of the Cuban cinematography.
To Sara Gómez, our highest recognition
and respect.
The pictorial work of another relegated
artist, José Delgado Alfonso, is the topic
addressed by José Clemente Garzón
in "The imaginary jungle...," which
shows Delgado Alfonso´s creation and
discourse because of his arduous and
constant research on the Palo Monte
Rule through formal and conceptual
proposals that make a unique
style. Yusimí
Rodríguez
takes
advantage of her space in the magazine
for "Other ways of looking at Venus
..." to introduce Yanahara Mauri, a 32year photographer who focus on nudity

and gender-based topics with a very
particular form of creativity and
expression. The section closes with
"The rebirth of Islam in Cuba," by
Iris Ruiz, who deals with a dynamic
process in Cuba today: the Muslim
communities across the country and
their regional particularities. She
approaches them from the perspective
of their social and religious practices to
conclude that there is still no exact data,
but it´s evident that the Cuban Muslim
community is constantly growing.
People of all ages, levels of education
and vocational training became familiar
with Islam and then decide to practice
it.
In the section Interviews, Nonardo
Perea uses "A bridge between Quito
and Havana" for going deeper into the
multiple and repeated trips by Cubans to
Ecuador. He manages to capture the
experiences of the interviewee during
the adventure that runs from the
purchase of the airline ticket, through
the consular proceedings and the stay in
the South American country, till the
return to Cuba.
And finally, from the tenets of
Catholicism, Ivonne Lascaiba gives us
her perspective about the crisis and
problems affecting Cuba and its
traditional
system.
Her
brief
article "You will know the truth and
the truth will set you free" is not only
a denunciation of the policies that have
prevailed for decades and have deprived
Cubans of their right to choose their
way of life, but also a warning about the
consequences of many Cubans turned
away from the Holy Gospels.

Dr. Juan Antonio Alvarado Ramos
Editor-in-Chief

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