IDENTIDADES 1 ENGLISH IDENTIDADES 8 ENGLISH | Page 52

A contribution to the photographic study of Afro-Argentinians: The Collection of Rita Lucia Montero Norberto Pablo Cirio National Institute of Musicology "Carlos Vega" Buenos Aires, Argentina O ne of the pillars of the Argentinian imaginary emphasizes the whiteness of the population and culture. This allowed us to differentiate ourselves from the mixed identity as common.denominator.of.America,.whil e.approaching.advantageously to the European powers, considered a model worth to imitate. We differ from other American countries for not having population of sub-Saharan origin, and we neither recognize it as constitutive and fundamental part of the nation nor give it the place and merit it deserves. Even today the Afro-Argentinians of colonial tree —those descendants of African slaves in what is now the national territory— are one of the most invisible and less understood social groups, as a result of the so-called "certificate of biological and cultural death", which was as quickly as forcefully issued in the second half of the nineteenth century (CIRIO 2008). This "certificate" asserts that AfroArgentinians disappeared due to four basic reasons: its massive participation in the wars of independence (18061825) and from Paraguay (1864-1870), the yellow fever that devastated Buenos Aires in 1871 and, as a result of the wars, the disproportion of more black women than men, whose miscegenation with whites led to an increasing bleaching of their offspring and so the color palette of the Argentine phenotype tended toward whiteness. Following this pattern, the biological disappearance of Afro-Argentinians was correlative to their cultural disappearance, since none of their cultural standards seemed to survive or to have a social impact. While the four reasons given are true, they fail to explain why actually a considerable sector of our population of African descent (STUBBS and REYES 2006) recognizes itself as such and maintain their own cultural practices. Currently the descendants of enslaved Africans (who call themselves "the colonial tree" in order to differentiate from African immigrants who started to arrive in the twentieth century) are fighting for their visibility by promoting the public debate about their presence. They have raised the need to revisit the national historiography, from which they are virtually excluded, as well as to better position themselves in the present and to ensure that the State meets their demands. Researchers concerned with the subject are producing new knowledge for better understanding of the matter. Among the many shortcomings in this field of study there is a shortage of document repositories as base of the investigations. In a joint effort between Afro-Argentinians and the researchers not only involved in producing this knowledge, but committed to the fight for historical reparation, new documentaries roads have been opened. I’m bringing up my personnel transit through one of them. 52