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tempting to understand it as the flip side of memory. Despite the fact, this research paper should restrict itself to theoretical reflection about what is absolutely necessary; I have to cite French sociologist Maurice Halbwachs, and Irish political scientist and historian Benedict Anderson. Halbwachs was a pioneer in the study of collective memory. He created this concept; the relationship it establishes between individual and collective memory became a referent for later researchers. His notion could be understood with one single phrase: “We are never alone” (Halbwachs 2011: 164). Our memories are intrinsically collective, beyond whether or not others have interfered in them. If man is a social being, there is a fluid exchange between both kinds of memories. Although each individual has a unique view of the past, the social ties that have given sense to his or her membership in the groups in which they live and act proved the collective framework of experience and generation thought patterns. Given this psycho-sociological tie between present and past, these thought patterns highlight the fact that remembering is never an individual activity. Triple compartmented Mazacaya: an idiophone, for indirect strikes, one for shaking, with a wooden handle that has one to tin three vessels on its distal extreme, each one formed by two cone trunks joined by one base, with pebbles, seeds and/or other small metallic objects. Comparsa Negros Argentinos de la Asociación Misibamba. Merlo (Buenos Aires), 2008 © Pablo Cirio Why a social history of silence? Given each individual belongs and/or acts in many groups, there can be multiple views of the past. For Halbwachs, the structure of these social frameworks of memory allow one to organize and stabilize memories, know the past, to make sense of it, confer a social function to individual recollection. As a To speak of a social history of silence may seem like an oxymoron. Even so, from a historical and anthropological point of view, silence is not simply the absence of sound, but rather can be as or more expressive than words and have its own meaning, depending on the context and intervening actors. I am at- 128