Huffington Magazine Issue 5 | Page 34

Voices weekend, beating Efron’s film by more than $10 million. For a man who has built his career on creating films starring all-black casts, one can’t help but notice that Perry is slowly moving away from the foolproof formula that made him millions, not to mention the devoted audience that has stuck with him through public attacks, so-so storylines and less-than stellar movie reviews. Besides Perry, Romeo Miller and John Amos are the only slightly dominant faces of color in Madea’s Witness Protection, which features Eugene Levy, Denise Richards and Doris Roberts. It’s difficult to nail down why a community who values loyalty and is notoriously critical of how they are portrayed in the media would continuously support ageold racial stereotypes masked in fat suits, drag, punchy one-liners, over-the-top drama and a film director who seems to have chosen crossover appeal in lieu of his devoted audience. But I digress. I don’t hate Tyler Perry. In fact, I admire his business savvy, resilience to the naysayers and love of black culture and tradition. I’m a fan of several of his films and stage plays. CHEVONNE HARRIS HUFFINGTON 07.15.12 In full disclosure, I watched Madea’s Witness Protection on opening weekend, laughing out loud a few times at the empty humor while rolling my eyes at the undertones of coonery, including Madea’s inarticulateness and initial presumed fear of her white houseguests. The enchanting thing about Perry and the core of the black moviegoer conundrum is that although Perry has On the mastered the art of few occasions making and marketmajor black ing black movies to films are black people, his released films are in no way domestically, a true portrayal of the results modern black culoften exceed ture. But considering expectations.” the lack of options for black moviegoers to choose from, in a twisted, stereotypes aside kind of way, Perry’s formula of humor, heartache and cultural clichés somehow works, dispelling the myth and popular hip-hop mantra, “if it don’t make dollars, it don’t make sense.” In the case of Tyler Perry, it does make dollars but it don’t always make sense.