B"H
which my being was enveloped; my residence, fa miliar
associations; places and processes that compelled my attenuation,
some to the extent of obsession. Homeless in Paris was an interna l
expansion uniquely; one may choose not to be those cultural or
occupational tendencies that urge existence upon him or her.
Nullification through the diminution of expectation; as if to harde n
their heart, ignore the signs, and act obstinately not to carry out
their will. As if to say, physiological manifestations propel my
fins as far as I'll swim through the muck of modern society, fro m
which point I can hop along doing the bee -bop. What's that called?
Flow with the current.
The question is what message I want to remain in the vacuu m
of my absence fro m physiological presence in that cultural or
occupational tendencies world , after I'm dead and gone like Papa
Hayden. The way children copy adults is how they obtain a
measure of the world - inclusive of the dimension of motio n
measured in time-designated space. Perceptive Trans missions are
emitted as waveforms that carry signals (sights, sounds and smell
and touch, etcetera) and co mmunicate to the developing brain o f
children. The sophistication of mental functions by virtue of which
brains coordinate or completely nullify the mastery of bodily
functions, proceeds in measure to the experiential stimulation that
was shared with them as a giving of one's self . Reading this
without conte mplation could be said to be a train of thought, so
hop aboard and we'll kind of space out together.
Where the elementary age schooling does not include lessons in
everything there is to know, and there is much more to childhood
than training the child for what he or she may do as adults, under
these restrictions, it is difficult for the individual talents to
fruition. We must convince ourselves that these precious elements
of Creation have purpose and value unto the mselves. It's not that
deaf people can't dance, but it would not be to the music we hear.
Dance is a topic close to my heart for reason that when happy tunes
are played even toddlers start jumping up and down in time to the
rhythm. Adults have all kinds of moves, turning while bending and
stepping forward, to the side, and backwards at the sa me time. The
idea is to upse t the stability offered from steady balance in a wa y
that see mingly causes us to feel we're plummeting, and yet remain
on our feet. The historical place of dance in the human cultures o f
the world should offer proof, but we have, in addition, the dance
113