Encaustic Arts Magazine Spring 2012 | Page 6

History of R&F Handmade Paints Richard Fumes Portfolio R&F Paints 6 DEVELOPING A PAINT LINE [The history of R&F can be traced back to the 1940s when Torch Art Supplies, a small, but very unique specialty art store in New York City, hired a Brooklyn chemical company to develop the first commercial encaustic paint. Until then, the only source for encaustic was whatever version artists made in their studios. These were hand mixed and often included solvents. The Torch paint was machine mixed and much safer because it was made without solvents. [2] Unfortunately, the encaustic market at that time was very small, and Torch eventually stopped making the paint in the mid-1960s. My own first experience as a painter in encaustic was with the Torch paints in 1981. By then only about five of the original colors remained. Any other colors I had to make myself. Yet, I was far from the only one working in the medium at that time. Although encaustic was still pretty obscure to the general public, it was catching on with the art community. That was enough to make Torch’s consider making the paint again. Torch’s original owners had died, and along with them the technical knowledge of how to manufacture it, but a great interest in materials lured me into volunteering to try. The new owners gave me bags of pigment and resin and wax to take to my studio with the objective of somehow turning those ingredients into paint. As you can imagine, my first attempts at simply stirring the pigment into the molten wax were not very promising. It took about a year to develop a system of high speed mixing with simple machinery. The outcome was a “commercial product,” but it was far cry from the carefully milled paint we produce today. Summer When Torch closed its doors in 1987, I started R&F in a tiny basement workroom downstairs from my apartment. My close collaborator in this was Carl www.EAINM.com