Encaustic Arts Magazine Spring 2012 | Page 15

The developing duality is more strongly realized in the installation of my sculpted work, for it is here that shadows are created from the luminous white forms that float in a suspended state, casting shadows- distorted darkened areas intentionally created on the floors and walls that mimic the form itself. The meaning isn’t really about good & evil, it is about the dark and light that we all carry within, the darker areas where secrets live and the luminous purity that we often gravitate toward or present first. Once the work has been created, it seems so obvious- the materials, scale, developed theme. But the journey of getting there is really a joyful and exhilarating part of the process for me. This is where the inventor gets to step-in; where I set up endless experiments with new materials that get tested and re-tested until I find consistency married with the unexpected. I love the science and technology that is woven into an artistic endeavor, a place to make a union between what is initially thought of as opposites and yet is so clearly bound together. This is my expression of explorationtaking in my surroundings and turning them back out. Oh...Celebration, 18”x18”, Encaustic On Panel,2007. Cari Hernandez Oh...My, 12”x12x5”, Encaustic On Panel,2008. Portfolio Cari Hernandez is a full-time artist based in Northern California, her teaching of encaustic takes her across the Unites States as well as to international locations. She has an instructional DVD; WAX Twist: advanced encaustic techniques. For additional information please visit: www.carihernandez.com Instructional DVD: www.waxtwist.com Encaustic workshops: www.encausticworkshop.com www.EAINM.com 15 Summer