EDA Journal EDAJ VOL12 NO 3 | Page 9

ECONOMIC DEVELOPMENT QUARTERLY Above: Ann Niddrie proofing the latest MTNS MADE Broadsheet have a two-tiered paid membership structure as their funding model. Currently with approximately 90 members, their various areas of focus are in supporting makers in upscaling, website conversions, marketing, cashflow and more. However they focus solely on artisans and makers of tangible items such as jewellery, tables, clothing and other usable or lifestyle items, whereas MTNS MADE represents creatives of all sectors of the creative industries in the Blue Mountains. Numerous artisans interviewed reported the fees were a barrier to entry for them. Portland Made has a strong relationship with Travel Portland, the tourism body for the city, where cultural tourism of all strains is ingrained in the tourism strategy. The city of Portland has a range of stores that stock products exclusively made in Portland, for example, the Made Here PDX stores of which there are two in Portland and now one in Seattle. The larger Made Here PDX store has over 8,000 products in the store at any one time, and also runs the online store from the rear of the same location. The challenges for Portland as with any growing cultural city, is the So-Ho effect that has increased prices for real estate, and spaces for creatives in the city itself are perceived as becoming too expensive. The very creatives that made the city popular are being pushed out to the fringes. 4 Supporting local creative entrepreneurs to use the logo on their products, and creating a MTNS MADE section in local retail stores has been an underpinning strategy for the success of MTNS MADE. Collaborating with retailers with a philosophy of supporting handmade, locally produced products, and with customers who are prepared to pay a higher price for unique handmade products. WHAT IS BEST PRACTICE FOR DEVELOPING A PLACE-BASED CREATIVE INDUSTRIES BRAND? Deep community consultation is a necessity to ensure the brand reflects the local community and creative industry’s values. BMEE and the Creative Industries Cluster Manager consulted extensively with local community stakeholders to identify and ensure that BMEE were responding to the industry’s needs. Some points that are imperative to explore prior to initiating such a project include: • Are you responding to industry, or are you projecting onto your creative business community what you think they need? • Has your industry consultation been far- reaching and in-depth? • Does the creative business community have an opportunity to participate and contribute? • Do you have a creative industries strategy for the region? VOL.12 NO.3 2019 | 9