Drum Magazine Issue 3 | Page 98

96 Drum: READS B ook R ev iew s Fruit of the Lemon by Andrea Levy Review, £7.99 Paperback, 340 pages Not the only fruit As Andrea Levy is awarded a coveted O range P rize for Fiction for her latest novel Small I sland set in the U K, Matt Taylor takes a look at one of her earlier wor ks and discovers a rich Jamaican family history stretching across many continents. But is there something missing? Faith Columbine Jackson is having a crisis. British born to Jamaican parents, she hasn’t managed to discover anything of her history except that her middle name originates from a family goat back in the Caribbean. After twentysomething years of growing up in the UK, she has secured a job working on the fringes of television only to be told that she may not be suitable for promotion (into a department which has no black people in it) because she ‘walks too slowly’. After witnessing a horrifying National Front attack on a black woman in a liberal bookshop, Faith plunges into depression and takes to her bed. Her parents, attributing her woes more to her disturbing choice of housemates – dope-smoking, free loving and, worst of all, white ne’erdo-wells – arrange for her to rest and rediscover her roots by visiting her Aunty Coral in Jamaica. As the days pass by Faith hears tales of the past and is taken to visit some of the places where the family used to live. Andrea Levy is certainly an accomplished writer and her witty descriptions of people and places can be a pleasure to read, for example: “…a moth so big it could have eaten a cardigan whole and spat out the buttons.”and “…a man in a suit who looked like he’d know how to use a Corby trouser press.” Sadly, whilst Levy’s novel might encourage us to probe our own past to discover who we really are in the present, this is also just the thing which is lacking from the book’s storyline. Faith undoubtedly learns a great deal from her stay with Coral but we never get the chance to see how this affects her sense of self and identity because the novel ends as soon as she returns to England and we are only given external clues to the internal process occurring in Faith’s soul. Take one example: Faith quickly discovers that skin-shade racism is rife within black Jamaican society when she learns of fairskinned ‘black’ children who deny their families to secure their futures, and of dark-skinned relatives denied access to schools and marriages because they’re ‘too black’. We naturally wonder how this might alter Faith’s feelings about the daily white-versus-black racism she experiences in England, but frustratingly we never get to find out. Perhaps this is a book which simply needs to be read and reflected on, and used as a catalyst to further our own investigations of who we are and where we come from. Meanwhile, the experience of reading it is very like tasting the fruit of its title: initially surprising and refreshing, but also in need of something more to make it truly palatable and satisfying.