Drum Magazine Issue 3 | Page 97

Drum: THE SOUNDS OF MUSIC 95 1 “Much of the music here is incredibly moving.” 2 3 chronicles Paul Rusesabagina’s heroic actions during the Rwandan genocide. Unsurprisingly then much of the music here is incredibly moving. Afro Celt’s opener M ama A rarira raises goose-bumps with its spine-tingling chants, while the strikingly simple W hispered Song is utterly arresting. Neither straight up world music nor just scene-setting instrumentals, this album, available through Rykodisc Records, paints a potent picture for what promises to be a powerful film. Spoken-word specialist Saul Williams recently wowed a London crowd with his new material. This is the second time Saul, star of celebrated 1998 indie spoken-word film Slam, has set his words to music. Lots of screeching guitars and weird techno-esqe blips can be found but the biggest noise is made by 1. Mpho Skeef 2 . Lina 3. Saul Williams 4. Durtty Goodz William’s potent poetics, which brilliantly deconstruct black identity, politics, love and hip hop. “Sometimes I’m 50 Cent. But I ain’t got no bullets. And I ain’t bullet proof. You can take your aim, but you can’t kill the truth,” he muses over PG. The self-titled album is out now on Wichita Records 4 Finally to UK soil and the anticipated debut of the artist formerly known as Doogz gathers apace with the release of an unofficial mixtape CD. Polydor’s signing, Durtty Goodz, as he’s now called, spits furiously fast over Fusion’s intoxicating Bum Bum beat as well as a variety of other hard-knock hip hop. Mixing malleable metaphors and witty wordplay with conscious chat, search this one out and you won’t be disappointed. An official album is due later in the year.