Drum Magazine Issue 2 | Page 22

2 0 Frozen Music Maestro Few architects have been so feted at such a young age, or so early in their practice. David is only 38 and graduated from the Royal College of Art (RCA) just 10 years ago. He set up his studio, Adjaye & Associates, in 2000. In this short time he has become a firm favourite of the critics who have been effusive in their praise, to say the least. Most strikingly, David has been described as an artist. “I consider myself an architect not an artist,” he says, rejecting that particular moniker. He explains that architecture is a profession (in the ‘old school’ sense of the word), and has a governing body set up by Royal Charter. 1 Adjaye’s verbal precision should come as little surprise. Architecture is about precision above all else. That isn’t to say that art, and the culture implicit to it, aren’t a strong influence on Adjaye’s work. “All culture plays a huge part in my work,” he explains. “I am interested in culture.” This openness to various cultural influences is indicative of Adjaye’s background. He is of Ghanaian descent, born in Dar-Es-Salam, Tanzania, and brought up in the UK. It is this mix of aesthetic, cultural and spatial appreciation that gives his works such character. Adjaye’s aesthetic approach is perhaps best illustrated by two of his most recent commissions. The current ‘Black British Style’ exhibition at the Victoria and Albert Museum in London was designed by Adjaye. Designing a set for an exhibition about fashion and style within a very established and distinctive space like the V&A is a little off the architectural beaten track, but it was a commission Adjaye relished. So what era did he relate to most? “I related to the whole exhibition,” he explains. “It was a bit autobiographical.” He also has a very interesting take on his role within the V&A commission. He sees it as being about creating; “spaces that are mute, where interpretation happens in people’s minds.” This is a theme that runs through a lot of his work. Adjaye has also been commissioned to design a headquarters for the International Institute of Visual Arts and Autograph: the Association of Black Photographers (inIVA & ABP, » 2