DESIGNA MAGAZINE DESIGNA ISSUE III 2019 2 | Page 100

VIEWPOINT A guide to assigning the right value to your creative work. HOW MUCH SHOULD YOU CHARGE FOR DESIGN WORK? You can learn a lot about the business end of design and illustration by trial and error and reading articles and books, and lately browsing through the pages of the internet. but one thing that is seemingly impossible to get a grasp on is pricing. Whether you are a student, a young designer, or a seasoned pro, pricing jobs can be one of the most frustrating parts of the creative process. The cost of creative work is shrouded in mystery and very subjective. While it makes some people uncomfortable to talk about art and money together (as we all know creatives are really meant to suffer through life and die penniless), they are incredibly similar when you think about it. What is money other than dirty rectangles of pressed tree pulp? Because we all believe it has value it is valuable. I know this subject goes to the heart of many creatives in the design industry as this has been a subject of many design professionals per se. “ Most of the time what i charge is dictated by the client” I was ounce told by a designer operating a Printshop in downtown Nairobi. He explained to me that at times the condition the client gives is that the design work has to be free so as for him to print his work with you. And should you refuse this offer, they just walk to the next printshop of which in the same building they had over 50 establishments offering design services. Pathetic isn’t it? And as whether they are qualified or not doesn’t matter as long as they can use the design software in the computer and produce something. I shall dwell on the subject of qualifications, pricing and who should be called a professional designer or the many individuals (design quacks) who masquerade as designers everywhere. 100 D E S I G N A | May - June 2019 completely insane. You know that there will be many rounds of revision in your future and that over the course of working together you'll be as much a therapist as a designer. Totaling those 500 hours at whatever your hourly rate is will equal a pretty good pay day. Athanas Oscar Olweru, is Creative Director Oscar Design Consultants and Co-Founder The Design Institute of Kenya. He is also team leader creatives and editorial consultant for DESIGNA magazine. I know you're all dying for me to get down to brass tacks and explain how to price for each and every design situation, but what follows won't be anywhere close to a definitive guide, just some of my own opinions and words of wisdom on how to avoid screwing yourself and the rest of us over by doing too much work for too little pay. We're in charge of assigning value to what we do. My viewpoint goes... 1. Pricing hourly punishes efficiency. So this is a pretty bold statement and it should be taken with a pinch of salt. As this only works with big agencies , even though its always an estimate. Hourly pricing can be incredibly advantageous in certain circumstances, like when you receive that first email from potential clients and, through their thousand-word introductory essay lousy with emoticons and unnecessarily capitalized words, they paint a clear picture that they are It's more than just crazy people that can make hourly pricing worthwhile though- -pricing any long term design project hourly can be advantageous, as long as you communicate clearly along the way what kind of hours you're devoting to the project. If the first time your client sees your total hours is on the job- concluding invoice, a world of hurt awaits. It will be like being audited except somehow more unpleasant. Be prepared to forward them every approving email, to itemize every minute spent on the concepts/sketches/website / book / computer time whatever. Pricing hourly seems much easier than flat-rate pricing, but because you have to give clients a ballpark full-cost price upfront (the total hours you plan to work x hourly rate), you can end up in a very tough spot if you don't have a firm grasp on how long it takes you to do things. You're nearing the halfway point in the project and are already over the total hours you're contractually committed to. What does this mean? It almost never means that you're paid double your original fee. Even if you can eke out a little extra money from the client, your hourly rate will look more like the one you were earning at some voluteer jobs at age 16. So once you have a grip on your work flow and become more and more efficient, hourly pricing makes perfect