Colossium Magazine March Issue_2020 | Page 55

CM: What is Hiplife? RR: Hiplife is what I say it is because at the end of the day, I coined the two words ‘Hip-Life’. Hiplife is really simple, the language represents us – the Highlife side of us and the Hip is the Hip Hop; so in terms of branding it makes sense. It’s kind of like a hybrid. It was to inspire a generation. So if you listen to ‘Keep Your Eyes on the Road’ you will notice an irony there where I rapped in English however the sampled music is Highlife by Alhaji K. Frimpong. So Hiplife is really about fusing the indigenous side of us and Hip Hop. CM: Are we still doing Hiplife? RR: Yeah, we got a lot of kids doing Hiplife or whatever they want to call it. Let me give you a real fact here – one of the first Hiplife hit song is a rendition of a Fela Kuti song called Shakara which I titled ‘#y3 Mo D3 Anaa’. So what most of these young music artistes are doing is Hiplife. CM: Undoubtedly you’re the godfather of Hiplife. Would you say the likes of Sarkodie, M.anifest, Medikal and so on are doing Hiplife or Hip Hop? RR: They seem to be doing something else other than Hiplife but they’re all doing Hiplife at the end of the day. They all come from Hiplife root. Just being able to rap in your own language was made hip by Hiplife. They were all inspired by Hiplife. Sarkodie says it in his songs often by paying homage to me or Obrafour or Lord Kenya. So it can kind of hurt me when these young artistes sit on TV and say they were inspired by 2Pac and the rest. I’m not saying that’s not possible but it’s most likely they were inspired by Reggie Rockstone or 55 | Colossium . March 2020 DEFINITE LY, IF NOT I WILL NOT BE ON THE COVER OF COLOSSI UM MAG AZINE HA HAHAHA. I’M AC KNOWL EDGED FOR WHAT I DID. I LEFT THE WEST AND CAME HOME TO DO SOME THING FOR GHA NA AND AFRI CA. IT’S SOME THING THE GEN ERATION AFTER ME WILL BE PROUD OF. Obrafour or Kenya when you check their age. CM: A lot of critics say you didn’t start Hiplife. RR: Anytime they say that, it’s a fallacy. If you ask them when they first heard the two words ‘Hiplife’, they go silent. It is true Mahony P was rapping but he didn’t call it MahonyPlife. Someone puts meat in between two breads and calls it a burger whiles another person calls it sandwich. The first time the two words were ever heard was in a song called ‘Tsoboi’. If you say I didn’t bring rap to Ghana, you’re right. Did I create a movement called Hiplife in Ghana, yes I did. You talk about KK Kabobo doing rap – c’mon that’s like preaching to the choir. People mention uncle Ambolley, yes he was rapping but he never called it Hiplife. When they talk about rap in Ghana, I was the one at the fore front. I put in a lot of work and to be honest I find it disrespectful if you think about it; interestingly whiles they’re busy having these conversations I’m still doing music with the likes of Sarkodie – I’m still spitting bars. CM: Do you do that to make statements? RR: Not really, I just do it because I love it. I can’t sing so I rap. I don’t even make music for money these days. CM: Today, is Hiplife what you envisioned it to be? RR: Remember that we didn’t plan it so it’s not like there’s a text book we’re referring to – so, no. But as far as it’s evolving and manifesting in different forms, that’s the way of the universe – I love it all, at the end of the day. It’s all about doing good