Colossium Magazine March Issue_2019 | Page 48

JOEWACKLE: I was having this conversation with my friends the other time about what we wanted to be when we grow and where we are now. What did you want to be growing up as a child? PAQ: Growing up I wanted to be a lawyer. Wearing the suit and the wig – I don’t know what they call it these days. Fast forward I’m here as a music producer; I’m now trying to go back to law school and live that dream. JWK: How did you find yourself as a music producer? PAQ: Somewhere in 2010, I came across this music software called Fruity Loops which I experiment- ed with. I will say I’m someone who has always loved music although I never thought of having a career in music so when I got this soft- ware, I will only play with it. It was my encounter with Mag- nom that changed my perception about the whole thing. That’s when I realized I can actually make a living out of music production; besides I have the passion for it so I pursued it from there. JWK: Do you remember your first project with a major artiste? PAQ: I would say it’s a song by Wyper ft Guru. I couldn’t believe it. It was surreal. It was the first time someone had properly laid a version on my beat. The song got a lot of airplay on radio especially YFM. JWK: Do you think Ghanaian music has a sound? PAQ: I believe we do. Every country has a sound that is indigenous to them. For us, I will “ say it is our congers and trumpets. We love the native sound. JWK: In the entire spirit of Afrobeat, who will you say owns the right of claim to the genre? PAQ: I will bring it back home to Ghana. Al- though music is diverse and we often rob off elements from other producers from other countries, I believe Afrobeat is a genre that originates from Ghana – it’s for us. JWK: Describe your production style to me. PAQ: I like heavy bass – it’s called 808 bass. I like to fuse the 808 bass with Afrobeat. The 808 bass is more of a western sound so it becomes something like Afrobeat fused with Hip Hop beat. With all my projects I try to create that balance. JWK: Which song did you hear that made you wish you pro- duced it? PAQ: Illuminati by Sarkodie produced by Magnom. I like the bass in the song. For me it’s like an anthem which calls your attention. If that song is played with the right speakers, you will just switch to it. I once mentioned to Magnom, I wish I had produced that song. JWK: Lately you will see DJs like Mic Smith owning a song and other producers are do- ing same. Do you think that’s the new wave or that’s the way for producers to cash out as well? PAQ: I mean it’s been a wave for long, it’s just that we are now hopping onto it in our part of the world. There are other ways people can monetize their craft and I think this is one of them. You can always have the conversation about a possible collaboration with artistes for I KNEW the song was done and was dope, however I wanted to add some touch to it but time wasn’t by my side. I decided to go home and continue the next morning, only to find out the next morning the song was out” 48 | Colossium . March 2019