Cider Mag June 2015 Issue 50 | Page 4

Bleep Bloop the Night Away I by Jacob Heacock n high school Sean Callahan began recording experimental indie rock and electronic music and recording it for limited local release. This led him to composing soundtracks for local plays and short films. Callahan was born in Keene and grew up in Weare, NH. In 2011, Callahan adopted the name “nickelPunk” to begin exploring the underground electronic scene and became an integral component of the Chiptune Movement in the Boston area. He made a big move to Seattle, WA in 2012 and that’s where he’s been ever since. In 2013 nickelPunk was asked to compose and produce the soundtrack for TOODX game, “Bosses Forever 2.Bro”and then in 2014 the soundtrack for “Sportsball”, another TOODX game. In 2015 nickelPunk was signed on as guest composer for Starr Mazer. Now, in addition to video games, nickelPunk is focusing on creating soundtracks for films, producing up and coming artists, and creating standalone albums. nickelPunk: A Yamaha keyboard, computer mic Cider: Can you describe 8-bit music for anyone nickelPunk: In 2011 the head of TOODX , Auston who has never heard it? nickelPunk: Chiptunes and video game music, contemporize music like from Nintendo. Cider: Who are your musical influences? nickelPunk: David Bowie, The Beatles, Han Zim- mer, Harry Gregson Williams, Prince and ELO, and Skrillex. Cider: Do you make any dub step music? nickelPunk: Yes, bass and house come up a lot, regular EDM. Cider: How long have you been making music? nickelPunk: I’ve been making music for 13 years and professionally now for four.Cider: What did you use to mke your music when you first started out? 4 • CIDER MAG • cidermag.com and a 2002 Dell. Cider: Did you teach yourself? nickelPunk: It was all self-taught, but I did play in the school band - sax and took some guitar lessons. I was all self-taught with recording. When I was 18 I started talking with other musicians from the community and then I was fully electronic. Back then, no one was listening to trance, which was what I was making. It’s changed a lot. It wasn’t until I was older that I started to research music theory and it helped. They say we stand on the shoulders of giants and I shouldn’t have to reinvent the wheel to write a melody. Cider: How did you begin making this 8 bit style of music? Montville (also from New England) wanted music put on a Nintendo cartridge and I knew it couldn’t be hard. I use a Gameboy as an instrument in my orchestra. There is a lot of innovation with it but it isn’t my primary instrument. First project title was a few hobby games, Bosses Forever for web browsers in 2011. The next was Bosses Forever 2.Bro released on the Ouya and PC. These were warm up for soundtrack Sportsball on the WiiU, which was a pretty big deal because I’m on a Nintendo console. Don’t get me wrong I love all the consoles. I would put music on a new Atari if they asked me. I just want the Magnavox Odyssey 3000 to happen and we could all ride the wave. Cider: What do you use to make your 8-bit music? nickelPunk: A Game Boy. I have a computer that I built with the newest virtual synthesizers FL Studio and an old copy of Reason. Ableton Live is pretty good. Keytar CoreArcade100 and a guitar that’s nice. Mostly the computer does the playing. SportsJune• 2015