BoomBap journal BoomBap Journal | Page 29

The Global Edition SPRING SUMMER 2014 hitecture Arc andfashion The relationship between fashion and architecture is not a particularly oblique one. Both are based on structure, shape and prettying up basic necessities - clothes and shelter. In this first edition, we spoke with the Portuguese architect Nuno Meira and the marketeer / Designer Miguel Meira, two main collaborators and mentors of a Boom Bap Wear design projects. They were involved in the renewed of spaces to the street shops of Boom Bap Wear in Portugal and France, they also participated in the concept and implementation of exhibition stands for a trade shows, among other projects. On this short interview with these two professionals of architecture and design, we discuss the connection between fashion and architecture, influences that are behind the creative process, the new Boom Bap Wear transportable shop and about features projects. Our conversation with Nuno and Miguel Meira does not end here. In the next edition of our newspaper, we will return to talk with the architect and the marketeer /designer to explore other topics related to fashion architecture and design. How did you get the idea to create the Rubik? Like almost everything in life, innovation, creation, evolution arise from the need, the urgency of solving a problem or a challenge. That can arise by chance, but even so it should have certainly any idea behind which was on the backburner and needs to be explored. In this case, that arose from a conversation at work, where it was raised the convenience of getting the brand, boom bap, closer to the people and the context in which the relaxation and the will to live are more visible - hence the idea of a small appealing space, that was not static and that could be easily transported and commissioned. Which importance do you assign to the creation of this project? This project, like any other one is always a time of tremendous commitment and satisfaction. Working for the encouragement and comfort of the people is very rewarding. Each project has its own particularities and this, given its characteristics, led us to a synthesis that makes it a plus, since it can adapt and reprogram itself for other purposes that do not necessarily exposure and potential parts props of clothing. What makes this store different from the others on the market? I don’t think you can call it a store. It’s almost like a kiosk with mobility – it has only 5.60 m2. But despite its small size it is nonetheless a care space we expect to raise interest. We seek functionality, but also dynamism and elegance - the fragmentary character of the piece illustrates this idea, as they played with the wind ... It is distinguished from other solutions and invading the public space. It is not a monolithic, anachronistic piece. We believe that leaves an aura of freshness, which ennobles the place where it will be exposed. What were the main challenges you encountered? The challenges were exactly these: Flee the standard, without falling into pure experimentalism. Find a model that at one time were feasible from a financial view and mobility, and the other, represented something new and positive. We know you work in several areas ... What is your procedure for creating? Treat yourself of a building, a factory, a house, a piece of equipment or furniture, if part-always in demand to respond to a program of course with an aesthetic sense. The architecture has a sense of perpetuity stemming from not only their physical character, but especially of his artistic character. That is why art is what we need more enduring. It accompanies us entering in our soul. What connects an architect at a company that produces fashion? I think there are plenty of reasons to strengthen this link. The environment FASHION EDITORIAL 2014 29 connected to fashion is a maverick, very much alive and active environment. Frenzy with many interactions. The designer envisions their models with a short life expectancy. It’s almost from season to season. The architectural education points to another longevity. The clash of ideas, opinions always bring good results. Cooperation does not mean that drowns a few others before stimulates synergies. Coco Chanel said, “Fashion is architecture.” Do you agree with thi ́