BMG Newsletter Issue 68 Winter 2013 | Page 12

Technique will hear note softly but clearly. You can practise slide slowly: strike C#, then let it ring a few seconds before moving whole hand energetically to right. Use of pinkie in this situation is by no means arbitrary; it really is most efficient finger in context. c) There are a number of interesting aspects at c. 1. You almost certainly know standard downstroke sign but perhaps are less familiar with upstroke sign with dot. It was introduced around 30 years ago and indicates an upstroke on only one of pair of strings. There is a similar sign for downstroke on only one string of pair but I didn’t need it for this tune. These signs would obviously be meaningless for instruments with single strings, like violin or modern guitar, but they come in handy for double-strung instruments like mandolin. Generally the sound has more ‘body’ if both strings of a pair are sounded – the thinner sound of single string then provides useful contrast. 2. Remember swing treatment of equallooking quavers. 3. For left hand: as you play notes C, C# and D, leave each finger down; by the time you play D, three fingers (2, 3 and 4) are all exerting same force on string. 4. I think it sounds good to let higher D keep ringing when you play lo