beyond architecture magazine | Page 11

t Page | 9 BERNARD TSCHUMI Pyramid and Labyrinth Tschumi calls that relationship as “a paradox” because he thinks that to "define/describe space" can be either considering the “physical border lines of space” or defining the “non-material being of the space”. This paradoxical relationship creates the problem of an inequality between ideal space (the result of cognitive process) and real space (the outcome of real production) and he sees this http://www.tschumi.com/projects/47/ split as intrinsic to architecture. There is pyramid (absolute truth) and labyrinth (sensory space) which are used by Hollier and Bataille. Hollier is using the word “pyramid” in contrast to “labyrinth” of Batalle. Pyramid is referring to the “representation” such as monuments. They are all created to represent something http://www.frac-centre.fr/gestion/public/upload/oeuvre/maxi/TSCH_992_01_59.jpg other than architecture itself such as the social, political, cultural, economic conditions of the society; power of the God or government / king etc. Labyrinth is what we sense and what we experience; it is subjective. However, architecture owns both of them at the same time so that we have the problem of inequality between what is ideal and what we have as real. __________________________ Tschumi, Bernard. The Architectural Paradox’, pp. 214229, in K. Michael Hays (ed.) Architecture Theory Since 1968 (Cambridge Mass: The MIT Press, 1998). BEYOND ARCHITECTURE | SUMMER 2015 | ISSUE 1