Bead Chat Magazine Spring 2014 | Page 41

ing so unusual, where do you get ideas for texture and piration comes from looking at contemporary and historibooks, magazines or art galleries and museums. I look from other materials and rarely look at beads for inspiraedge or general shape that I like then I y own work. I only do this when I feel my s strong, so that I don't replicate another lso never make with an artist's work of me as this encourages my hands to es I have an idea on how to construct endant and I need to get it down on top thinking about it and move on to . Often ideas develop onwards after the ge. The clay tells me where it wants to wants to become, I like to think I only n its way. Most of the textures I use come ollect on walks in nature and days out markets and boot sales. There are texto compliment specific shapes better d it takes some experimentation to learn You don't work with "glaze" as we know it, you work with Gilders Paste. How did this decision come about and what differences do you find between the two? The finish on my beads is specific to Gilders Paste which is an oil based medium and it appeals to the painter in me. I layer the paste like I did with oxide artisanwhimsy.net 41