AV News Magazine | Page 6

AV News 193 - August 2013 Around The Clubs Great Yorkshire AV Day Steve Emsley - Batley AV Club After four years with the Batley AV club and more than a dozen sequences contributed to our annual showcase, I still consider myself a rookie with a lot to learn. So I look forward each Spring to rubbing shoulders with really experienced AV enthusiasts at the RPS 'sharing' day at the National Photographic Museum in Bradford. As usual, the morning of Sunday April 14th was devoted to reviewing sequences floated for constructive criticism by attendees. I did not bring anything this year, but remember my nerves when I shared my sequence on a Shakespeare sonnet a couple of years ago. I need not have worried. Then, as this year, members were very supportive and helpful. As Keith Scott reminded us, you can easily get 'tunnel vision' as you assemble a sequence and what seems acceptable to the creator may jar or even not make full sense to the audience. Road testing a sequence is essential. It's also reassuring to have some of your own practices given a seal of approval. AV has a unique capacity to draw the viewer in, to create a mood and to take you places. We visited bleak Skara Brae in a sequence which gave a very clear idea of how the village was uncovered. A very evocative visit to an Italian hill town, rubbish and renewal beside Britain's canals, a floral love song, a documentary about peat cutting and an animated clock are just a few fragments which stick in my memory. I frantically jot down suggestions in the dark, often to find they are illegible when the lights go up. This year I did manage to retain the tip that it is good to routinely increase image saturation for projection. All contributions gave me ideas. The afternoon was given over to the guest speaker, award-winning AV wizard, Keith Leedham FRPS. Keith shared with us some of his techniques. He revealed that he often starts with the soundtrack. He demonstrated how he assembles his sound sequence in CoolEdit and showed how evocative Audio is just as powerful as the Visual. In a sequence which featured a journey by sailing ship, the groaning of a wooden ship and the ringing of a ship's bell over an image of the ocean, evoked the experience more effectively than a picture of a ship. All the best ideas are the simplest. Page 4