AV News Magazine | Seite 49

AV News 180 - May 2010 It is likely that legislation on orphan works will emerge again in some form within the next few years. Those pressing for change remain committed to allowing works that are effectively 'locked' from use, because their ownership has been lost, to be exploited. The Publishing Association has already stated its intention to work with the new government, whoever gains power in May, to revisit this and it still sees a licensing scheme as the optimal solution. We can therefore expect much more argument and lobbying over the route in which any new legislation is to take. Both sides will line up to argue their case. Any new Bill will attempt to find a solution that manages to protect the interests of those who wish to utilise a significant body of work, much of it of some cultural significance, that is currently locked away; and the interests of copyright owners, who would be unaware of the use to which their works are being put and who face having their property rights usurped by a government body. It remains to be seen how these competing interests will be balanced in any proposed legislation. In the meantime, all photographers should try to prevent their works becoming orphaned. One simple method of doing this is to ensure that anyone seeking to use an image is required to include the photographer’s copyright statement (or at the very least to attribute the image to the photographer) on the image itself. The photographer should insist on this as a term of the licence and (where possible) try to see the image in the context of how it is used to ensure compliance. As it stands however, the Digital Economy Act has brought about a significant shift in UK copyright law even without the section dealing with orphan works. Much of the Act is concerned with threat of person-to-person file sharing via the internet. The problems this has caused for the music, film and television industries are well known, but the problem exists for all copyrighted content, including photographs. The Act has introduced the possibility of a new sanction to seek to prevent this method of copyright breach. Ofcom, the regulator, has been given the power to draw up a code of practice both for internet service providers and for copyright holders to create a new procedure of 'Copyright Infringement Reports'. It is hoped that these reports will discourage people from unlawfully sharing copyrighted works on the internet. If people know they are being watched and reported on, then the government thinks it likely that such activity will lessen. If however this alone does not work, the Act also gives Ofcom the power to draw up so called 'technical measures'. These measures must first be considered and passed by Parliament before implementation, but the Act envisages that they will involve limiting the internet use of those who have breached copyright through unlawful file sharing. The Act is by no means the last word in bringing copyright laws into the digital age. There is currently no real consensus about where the balance between the rights of consumers of copyrighted works and those of rights owners lies. Page 47