AV News Magazine | Page 38

AV News 180 - May 2010 The day starts with introductions by Bryan Stubbs to the guest speakers and an outline of the format for the day. I might add at this point, as a newcomer to the world of AV, their names, Linda Gibbs DPAGB AV-FIAP and Edgar Gibbs FRPS DPAGB AV-FIAP meant little to me, however, even at this stage they make a lasting visual impact on me with their not matching, but co-ordinated Jumpers, keyed to represent sound tracks, no doubt. Rita - As a relative newcomer to AV, I find these days to be invaluable. The morning session is given over to sequences brought for advice and help. There were a dozen or so offerings, which made me realise just how diverse the topics covered can be - from autumn trees to seabirds and wrestling to weddings this time! Techniques in PicturesToExe can now bring animation to our sequences and, used in moderation, may enhance the finished product? The music was also diverse, and ranged from Queen and Shostakovich to an English Country Garden. John - The morning session, may well have been overwhelmed by some three hours of advised sequences. It was here that the weather once again prevailed, preventing a number of the more sensible individuals from venturing out in these dreadful conditions. Of those that did attend it meant there were no disappointments in not having their sequence reviewed. During the short watering break I'm approached by John Smith (Co.Editor of AV News) and invited to write an article on the days events for the Magazine. Why me, I protest, I'm a novice, it's only the third time that I've attended an AV event. Anyway, John prevails and explains he only wants an impression of the day, not thank goodness a detailed analysis of the event. I must say I abhor ranking work, everyone's work has merit, it just depends where you are on the learning curve and occasionally how deep your pockets are. Needless to say deep pockets and experience do not necessarily go hand in hand, as I saw on the slip road. I don't recall the total number present, around the forty mark I think and from this group a total of nine sequences were shown, I should say that every presentation captivated me and provided a great learning platform. A critique of each sequence was encouraged by Eddie Spence (Chairman for the Day) explaining there was sufficient time for constructive audience participation and feedback. This was generously given and received, with sound contributions from our guest speakers. Of particular note for me was a delightful sequence "Only Just Begun" by Howard Bagshaw showing the musicality of individuals with learning difficulties. Equally I was fascinated by the production techniques of Peter Appletons "Beverly Minster" a place I've never visited in my almost 40 years in Yorkshire. Page 36