Atlanta Jewish Times July 31, 2015 | Page 3

LOCAL NEWS Lipstadt Traces Changes In Holocaust Views By Benjamin Kweskin publications, TV shows and movies indirectly dealt with the Holocaust as a or many Jews, June 11, 1967, rep- Jewish tragedy, and the messages were resented the real end of the Holo- intended to reach a wider, non-Jewish caust, Deborah Lipstadt said. The audience with the hope of universalizIsraeli victory in the Six-Day War was a ing the message and conveying the sufwatershed not only for Israel, but also fering while remaining aligned with contemporary American society. for Diaspora Jewry. “Exodus” was published in 1958, Many Jews had feared that Israel was politically and militarily weak and and the movie came out in 1960. That would cease to exist if the Arab armies work clearly linked the Holocaust and the state of Israel, a danwon the war, but instead gerous connection to fosIsrael claimed a quick ter, Lipstadt said. victory and captured exShe cited several intensive territory, includfluential movies, plays ing the remaining parts and books written by Jewof Jerusalem. ish people in the 1950s and Right before the early 1960s that started mournful commemorato shift the conversation. tion of Tisha B’Av came Betty Friedan’s “The Femito a close Sunday, July 26, nist Mystique,” Sidney Young Israel of Toco Hills Lumet’s “Pawnbroker,” hosted the annual lecture Deborah Lipstadt Sylvia Plath’s “Holocaust given by Lipstadt, the Poems,” Arthur Miller’s well-known professor of modern Jewish and Holocaust studies “After the Fall” and Stanley Kubrick’s at Emory University who will soon be “Dr. Strangelove” used Jewish motifs, portrayed by Hillary Swank in a movie and within those iconic works were based on her book “History on Trial: metaphors and analogies regarding the My Day in Court With a Holocaust De- Holocaust and anti-Semitism. Political and societal changes were nier.” Titled “America After the Shoah happening in America during the 1960s 1945-1978: A Time for Talk or a Time and 1970s. Whereas 1950s America for Silence?” Lipstadt’s hour-long pre- yielded to McCarthyism and a