ASMSG Horror Thriller Ezine June 2014 | Page 28

afternoon. I just function better at night. Well, one Saturday afternoon shortly after the publication of my book Vampires Most Wanted: The Top Ten Book of Bloodthirsty Biters, Stakewielding Slayers and Other Undead Oddities, I was awakened by someone pounding on my apartment door. It was my friend who had driven in from Palatine, which is about 45 minutes away, to tell me that the producer of a local radio show was trying to get a hold of me to be a fill in guest and talk about VMW that night on the show. It was an exceptional opportunity that I almost missed. Apparently, I had turned off the phone ringer and forgot so I didn’t even know he called. He then called the library where I work and a girl told him I wasn’t scheduled to work that day but she tracked down the phone number of my friend, who I had listed as one of my emergency contact numbers, and she called my friend hoping she’d know where I was. Hence the reason my friend was knocking on my door. Now that’s true friendship. But I seem to have curious issues when I appear on radio stations to promote my books. When my book Chicago’s Most Wanted: The Top Ten Book of Murderous Mobsters, Midway Monsters and Windy City Oddities came out I was asked to be on a radio show and drove downtown to Chicago to the NBC Towers from where the show was broadcast. It was early in the morning, the traffic was excellent, the interview was great, I went to the parking garage to get my car and I couldn’t get out of the garage. I couldn’t find where the machine was to pay for the parking. I wound up walking all over an adjoining hotel, not realizing at first that it was an adjoining hotel, then eventually discovered where to pay the piper. By the time the garage gates open, what should have been a few minutes turned into 45 and downtown Chicago was now teeming with pedestrians and cars, none of whom seemed interested in letting me easily pass. The folks at the radio show that tracked me down after the publication of VMW were nice enough to let me on to promote To Touch the Sun. And I had the chance to do a live in-studio appearance. When you have the chance to do a live instudio appearance on WGN in the Tribune Tower, you take it. The only problem was that the show was at 2 a.m. Not too terrible I suppose, even though I would be up since 7 a.m. the day before. I decided to take a taxi just for convenience (even though that early in the morning would be the best time to drive downtown). What I didn’t expect was the end of winter snowstorm that chose that night to occur. By the time we got down there, Michigan Ave. was a sea of white. By the time I took the taxi back home…well it was an interesting experience driving on an expressway at 3 a.m. in a blinding snowstorm with a taxi driver you’re not sure knows the way to where you’re hoping to go. But I give him credit. We made it. It ended up being a great experience. A fun adventure. MAER: Sounds it! Do you use beta readers and, if so, what qualities do you look for in a beta? LAURA: Not really. With To Touch the Sun, because it was a new genre that I was trying, I did ask a lot of people to read the novel to let me know what they thought. Friends, family, coworkers and patrons at the library. Of those I let read it, I tried to get some people who weren’t into the genre at all so I could tell if the story worked for people outside the genre, which was important to me. And it did. I think my sister was the best person for that. She’s not a fan of reading fiction at all, especially horror, science fiction, fantasy, etc. I know she did it as a favor to me, but she would have been honest if she didn’t like it. She really loved it and was happy to read the next three novels in the series that I had written while hunting for a publisher for the first novel. That really said a lot to me. Another woman who read it was a page at the library and she got really involved in the story and the characters. She went on to the second book in the series, and when she saw me would often ask how the hunt for a publisher was coming along. Sadly, she died a year or so ago. It would have been great to have been able to tell her that I found a publisher for the novel. But who knows, maybe wherever she is she knows. MAER: What is a one line synopsis for your book? Page 28 LAURA: A vampire tries to retain some sense of normalcy in the face of increasing chaos. MAER: Is this a stand-alone or part of a series? Laura: It’s the first in a series I call the Sentient/Feral Vampire Series. This is the funny thing: I wrote the novel to try my hand at the genre. While I liked to read vampire novels, I never really had an interest in writing one. I was hoping to interest and agent who I’d been in cordial contact with. He wasn’t interested in the proposals for novels that I’d been sending him but he apparently liked me enough to want to keep in contact. I even met him once at a convention. That is very unusual when it comes to agents. So I checked out what the agency represented and I noticed they had a vampire series in their stable. I decided that now might be a good time to give that a try. I really had no idea, outside of a two word description: “Vampire Chef” of what I wanted to do. Normally with novels I have a clear idea on story and characters from the start. This I flew in blind and it changed as I went along. Long story short o