Asia-Pacific Broadcasting (APB) August 2015 Volume 32, Issue 6 | Page 13

NEWS & VIEWS August 2015 Shotoku to unveil next-generation VR/AR tracking Shotoku Broadcast Systems will be launching Free-d 2 , its next-genera- tion VR tracking solution. Free-d 2 is said to represent a new generation of tracking systems that do not require physical encoder devices attached to the camera support’s moving axes. The system, based on advanced algorithms developed within the BBC’s R&D centre, uses simple ceil- ing markers to precisely determine the exact position and orientation of the studio camera. The system is designed to provide highly ac- curate and constantly referenced position tracking. No concept of a home or reference point exists for Free-d 2 — regardless of where the camera is positioned; the system instantly knows its exact location and orientation in all eight axes. The position tracking data does not drift, despite many complex moves or hours of operation. At booth 11.F40, Shotoku will also present, for the first time in Europe, the TP500 pneumatic pedestal. The TP500 is capable of supporting camera payloads of up to 55kg and ranges from 665- 1,485mm in height, and is suitable for multi-location use, such as OB, Shotoku will also be presenting the TP500 pneu- matic for the first time in Europe. studio or event production. The robust and modular design allows for simple transportation between locations, without compromising the TP500’s ability to provide a sta- ble platform for camera operators. For optimal performance, Shotoku recommends pairing the TP500 with its SX300 and SH100/120 pan-and-tilt heads. Matrox Video to highlight Monarch HDX The Monarch HDX dual-channel H.264 encoder leads Matrox Vid- eo’s IBC 2015 offerings. A compact, easy-to-use, dual- channel H.264 encoding appliance, Monarch HDX features 3G-SDI and HDMI inputs with frame synchroni- sation to compensate for unstable sources. Two independent H.264 encoders provide redundancy or can be set to stream and/or record at individual settings. Monarch HDX is equipped with features that are suitable for broad- casters, event producers, medical facilities, CDNs, educational institu- tions, houses of worship, corporate communicators and legal videog- raphers, according to Matrox. From any SDI or HDMI input source such as a camera or switch- er, Matrox Monarch HDX gener- ates two H.264-encoded video streams at bitrates from 200Kbps to 30Mbps. Powerful scaling, deinter- lacing and noise reduction engines ensure only pristine images are sent to the encoders. For streaming purposes, the encoders use either RTMP or RTSP protocol to deliver live streams to local or cloud-based media servers. In recording applications, the encoders write MP4 or MOV files to local USB drives, SD cards or net- work-mapped drives for post-event editing or archiving. An additional, dedicated H.264 encoder provides EVS leads the way in IP for Live EVS will be focusing on IP technol- ogy, the best in cloud-based multi­ media distribution and live replay management, among others. Visitors to booth 8.B90 will be presented with the live production possibilities offered by IP-based in- frastructures, including content con- tribution between venue and studio and remote production operations. Designed for ingest, management, exchange and contribution, the IPDirector live production software 13 suite offers a range of new capabili- ties based on advanced SOA (ser- vice-oriented architecture) founda- tions. On display will be the suite’s Web-based tools for collaboration and content exchange between venues and studio, automated clip management, metadata integration and archive management. According to EVS, its IT-based DYVI switcher is maximising creative resources as the convergence of IT and broadcast infrastructures draws Monarch HDX is a compact, easy-to-use, dual- channel H.264 encoding appliance. remote preview of the input. At booth 7.B29, visitors can also check out the VS4Recorder Pro, which is designed for use with Matrox VS4 quad HD cap- ture cards. Each VS4Recorder Pro system frame-accurately captures up to four video and audio inputs to create files for use with various editing apps from Adobe, Apple and Avid and for archiving. EVS’ IT-based DYVI switcher aims to maximise creative resources as the convergence of IT and broadcast infrastructures draws nearer. nearer. The switcher-like hybrid solution combines an easy-to-use operational i