ArtView September 2015 | Page 25

Bryan Brown, patron of the Sydney Lebanese Film Festival with the festival organisers the films they might want to show, although they always seem to come up with films, so they can cope with it somehow. Obviously, the more access you have to cinema, the better it is, so I'm all in favour of it. On the topic of foreign film festivals, is there a language that you would love to learn how to speak? Oh my gosh, there must be lots… because I’ve just spent two weeks in Turkey, Turkish! And I say that because I’ve just been there. I can go to most countries in Europe and I know some words and can probably find my way, but Turkey, the language is so different. At least it has the same alphabet but the language is so different, I couldn’t even say thank you. In most countries like Germany, France, Italy and even Hungary and Poland, I know how to say thank you, but in Turkey I couldn’t learn how to say to thank you, it’s so complicated! So I’d love to learn Turkish. Do you think the system of film distribution need to be changed so that there are more opportunities for international films to be seen in Australia? It's now very difficult for film distributors - it's at a crossroads, nobody knows where it's going to go... It used to be that if you bought a French film, an Italian film, or Swedish film for Australia, you were safe in the knowledge that after the cinema release, you could sell it to SBS - not any more. When I was programming films on SBS, we would always buy almost everything. If a distributor had invested in a film to bring it to Australia, SBS would almost without exception buy the film for television. Today, I'm told, they don't buy any. The only films that SBS buy are the ones they can buy directly themselves from the producer without a local distributor, and I think that is very sad, really... SBS used to be a fantastic place, and it's not so good now, I don't think...