Arts & International Affairs: Vol. 3, No.3/Vol. 4, No. 1, Winter 2018/2019 | Page 17

ARTS & INTERNATIONAL AFFAIRS Hsu, Elisabeth. (2008) The Senses and the Social. An Introduction. Ethnos 73 (4): 433– 443. Huesca, Robert. (2003) Participatory Approaches to Communication for Development. In International and Development Communication: A 21 st Century Perspective, ed. Bella Mody, 209–226. Thousand Oaks, CA: Sage. Jewitt, Carey. (ed.). (2009) The Routledge Handbook of Multimodal Analysis. New York, NY: Routledge. Lévi-Strauss, Claude. (1966) The Savage Mind. London: Weidenfeld & Nicolson. Luvaas, Brent. (2012) DIY Style: Fashion, Music and Global Digital Cultures. London: Berg. Marcus, George. (2008) The End(s) of Ethnography: Social/Cultural Anthropology’s Signature Form of Producing Knowledge in Transition. Cultural Anthropology 23 (1): 1–14. Said, Edward W. (1979) Orientalism. New York, NY: Vintage. Singh, J. P. (2009) Paulo Freire: Possibilities for Dialogic Communication in a Market-Driven Information Age. Key Thinkers in the Information Age Series. Information, Communication, and Society 11 (5): 699–726. . (2014) Development Remix: Representing Poverty, Culture, and Agency in the Developing World. International Studies Perspectives 15(3): 243–256. . (2017) “Beyond Neo-Liberalism: Contested Narratives of International Development.” In Forging the World: Strategic Narratives and International Relations, eds. Alistair Miskimmon, Ben O’Loughlin and Laura Roselle, 134–163. Ann Arbor, MI: The University of Michigan Press. Small, Christopher. (1998) Musicking: The Meanings of Performing and Listening. Hanover, NH: Wesleyan University Press. 14