Arts & International Affairs: Vol. 3, No.3/Vol. 4, No. 1, Winter 2018/2019 | Page 17
ARTS & INTERNATIONAL AFFAIRS
Hsu, Elisabeth. (2008) The Senses and the Social. An Introduction. Ethnos 73 (4): 433–
443.
Huesca, Robert. (2003) Participatory Approaches to Communication for Development.
In International and Development Communication: A 21 st Century Perspective, ed.
Bella Mody, 209–226. Thousand Oaks, CA: Sage.
Jewitt, Carey. (ed.). (2009) The Routledge Handbook of Multimodal Analysis. New York,
NY: Routledge.
Lévi-Strauss, Claude. (1966) The Savage Mind. London: Weidenfeld & Nicolson.
Luvaas, Brent. (2012) DIY Style: Fashion, Music and Global Digital Cultures. London:
Berg.
Marcus, George. (2008) The End(s) of Ethnography: Social/Cultural Anthropology’s
Signature Form of Producing Knowledge in Transition. Cultural Anthropology 23 (1):
1–14.
Said, Edward W. (1979) Orientalism. New York, NY: Vintage.
Singh, J. P. (2009) Paulo Freire: Possibilities for Dialogic Communication in a Market-Driven
Information Age. Key Thinkers in the Information Age Series. Information,
Communication, and Society 11 (5): 699–726.
. (2014) Development Remix: Representing Poverty, Culture, and Agency in
the Developing World. International Studies Perspectives 15(3): 243–256.
. (2017) “Beyond Neo-Liberalism: Contested Narratives of International Development.”
In Forging the World: Strategic Narratives and International Relations, eds.
Alistair Miskimmon, Ben O’Loughlin and Laura Roselle, 134–163. Ann Arbor, MI:
The University of Michigan Press.
Small, Christopher. (1998) Musicking: The Meanings of Performing and Listening. Hanover,
NH: Wesleyan University Press.
14