Art Chowder May | June, Issue 27 | Page 42

“I t’s fashion,” she flatly replied, “The wine can be whatever you like.” This was not the insight I was looking for to go with my Peking duck.  Years later, I know what my irreverent tutor meant.  Researching 100-year-old menus of the rich and famous, it became clear that wine and food pairings are less than set in genetic stone.   For example, menus exhumed from the First Class dining room of the HMS Titanic offer Beef Wellington paired with incredibly sweet wines produced in Bordeaux’s Sauternes region.  Our modern taste preferences, while largely genetic (cilantro anyone?) are as malleable as the taste in the clothes we wear or the music that stirs us to dance. How does one decide?   Is it all just fashion, the power of suggestion and peer pressure?  Maybe.  Play with the interactions that wine and food make together and decide for yourself.  Here are a couple experiments to embolden your inner wine geek: Sweeter white wines like Ste. Michelle’s Eroica Gold Riesling (ste-michelle.com - $28/500ml) impress us like the sweet wines aboard the Titanic, typically too sweet for our current (fashion) palate all on their own.  Yet their sweetness interacts with sweet food like equal opposites on a teeter-totter: they both “balance.”    Pairing sweeter wine with apple pie or crème brûlée diminishes the sweet impression of both.   42 ART CHOWDER MAGAZINE But to choose a contrasting flavor, like the assertive blue cheese on a cheese board, makes the wine seem sweeter, not heavier.   Tasting flavors like these in close comparison helps decide which interaction you prefer with sweeter styles of wine.  Just as there is a spectrum of food intensity, there is a spectrum of wine intensity, sometimes sweet-intensity, to match it.  A simple piece of fruit tames the sweet impression of any wine.