Art Chowder July | August 2016, Issue 4 | Page 31

The Camera &The Canvas Dean Huggins P hotography and art; sometimes we photographers feel a little left out of the art community. After all we don’t use paintbrushes, canvas, and other appurtenances that ‘regular artists’ use in their quest to express themselves. We don’t spend hundreds of hours making a single piece of art. Artists that paint have been around for thousands of years and have had much time to ply their trade and perfect the art of landscape, portrait, still life, and other genres. Some see a great discrepancy between the camera and canvas, as if it takes no talent or ability to make a photograph. Enter the modern age. The invention of the camera has made such a momentous impact on world society that it is hard to find a place to begin telling the complete story and even more so the future of photography and its role in our daily lives. When we consider the huge array of uses for the camera we may not be able to say that we will ever see the end of its applications. I ponder the uses of photography and I can almost say with a certainty that photographs have a value in our world that the painted canvas can never attain to. We often forget the uses that we find. One to consider is X-rays, which we must agree are invaluable to us in certain health situations like broken bones and tooth conditions among many. We also need to consider the science end of photography, such as shots of the moon and earth from space, the amazing images from the Hubble telescope, Google maps which allow us to see our neighbor’s back yards and forensic photography. There is also the natural outgrowth of photography into the movie industry, which has taken the world by storm, the reproduction of painted art in digital format, to name just a few of its many uses. No one can deny that photography has changed the way we entertain others, prosecute in court, or record and grow data. July |August 2016 31