Architect and Builder February/March 2019 | Page 23

lines and curved glazing on the retail shopfronts, which is unusual for retail, facilitates a sense of connection, engagement and shared ideas and a shared, dynamic retail experience rather than the compartmentalisation of a typical mall experience. Similarly, the way in which the restaurants open onto the sidewalk space along Maude Street activates the street edge. The MARC has also been designed to actively interface and connect with neighbouring properties – particularly the Balalaika Hotel and the Holiday Inn. Van Bebber points out that “knitting The MARC back into the urban fabric” was essential to ensure the successful activation of the public space of the precinct, and to Sandton’s commercial centre more generally. The MARC is unique in Sandton in that it has three separate entrances, including the newly unlocked passageway from Stella Street to the south, which has been decorated with specially commissioned urban art, and draws pedestrians from neighbouring offices to the south, as well as Gautrain users, facilitating easy access to the centre and hotels beyond. The Marc Innovative Façade Design Arup provided specialised façade engineering services on The Marc’s façade. Matilde Tellier, senior façade engineer at Arup, commented, “One of the biggest challenges with a building of such unusual geometry was rationalising the façade envelope for efficient fabrication while adhering to the architectural concept.” The façade’s surface is formed by a mesh of 5,620 alternating gold and black flat triangular elements whose vertices follow a nebula of points scattered in space with a specific logic. The Arup team approached the Jewel’s façade panelisation design by forcing the maximum number of equal triangles on the surface and exploring various combinations of curves. The curve, generated surface and triangular panels were coded in a parametric environ- ment, allowing the geometry of the spiral curve to be adjusted to change the overall shape of the façade and achieve different degrees of “bulginess”. This enabled the architect to make geometric adjustments, with 23