ARCHITECTURAL FOCUS
In the interior , the goal is to create a continuous space with a sense of movement .
The west side of the building faces a narrow road that serves as the main pedestrian passage connecting the main entrance of the plant and the workshop , as well as the cafeteria , which usually has a large flow of people . The west wall of the building was closed with hollow concrete blocks , and a water feature has been installed along with the “ Experience in motion ” logo , creating the landscape element of the road ’ s end . In the afternoon , sunlight from the west is filtered through the hollowed brick wall , creating changing light and shadow patterns in the interior . The trees and lawns of the site are maximized , reserved , and orchestrated into the interior spatial experience by reorganizing the placement and size of window openings . The unfavorable factors around the site , such as the parking lot on the north side and the logistic pathway of the exhibition vehicle on the northeast side , were shielded by sealing the windows and by other means . The skylight on the second floor of the original building was reopened , and the floor slab between the first and second floors was removed so that sunlight is absorbed through the skylight into the ground floor exhibition hall .
In the interior , the goal is to create a continuous space with a sense of movement . This space is designed as a wedge shape , with one large end and one small end , and the sense of spatial perspective is enhanced . Walking through it , one feels a trend of direction . Such a directional trend has a clear destination , perhaps the external landscape in the previous narrative , or the exhibits themselves within the space . The flow of office traffic on the second floor is concealed behind a half-height sloping wall at the entrance and leads up to the stairwell via a gentle slope . The flow of visitors to the showroom is arranged to the left of the entrance , guided northward by the half-height sloping wall , through the hollowed
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