Arboretum Bulletin Summer 2020, Volume 82, Issue 2 | Page 6

The stroll garden at Katsura Imperial Villa, Kyoto—an inspiration for our Japanese Garden. (Photo by John Chang/Wikimedia Commons) THE TEA GARDEN In the Momoyama period (1573–1603), tea master Sen no Rikyu refined the tea ceremony into a ritual of harmony, respect, purity and tranquility known as chado, “the Way of Tea.” Matcha tea, a green powder whisked into hot water, had been brought from China to Japan in the late 12th century. Initially used in religious rituals, it later became associated with extravagant parties. By the late 16th century, however, the tea ceremony had been distilled into a ritual defined by the Zen aesthetic of wabi-sabi, which found beauty in quiet humility, rustic simplicity, imperfection and change—and even in the processes of aging and decay. Simple in design and materials, the tea garden (roji)—and the teahouse itself—embody this aesthetic. The tea garden is an enclosed space with restrained plantings (primarily evergreens) and moss covering the ground. A stepping-stone path, representing a mountain trail, leads to the teahouse. Before the tea ceremony begins, the tea master sprinkles water over the garden— hence the word roji, which means “dewy path.” Guests move through outer and inner gardens to the teahouse, leaving behind the everyday world to participate in the ceremony’s spiritual and ethical essence. THE STROLL GARDEN Stroll gardens were built beginning in the early 1600s, during a period of peace and prosperity. Like tea gardens, they were designed to be experienced from within. Although travel during that time was greatly restricted, nobles and provincial lords (daimyo) owned large properties and were permitted to design their own gardens. Reflecting their owners’ interest in aesthetics rather than religion, these gardens were magnificent, more colorful than earlier styles, and created for enjoyment. They were designed to be experienced as journeys past scenes from nature, literature and art. Most contained or evolved from the much smaller tea garden—a core of simplicity within the garden’s splendor. In the stroll garden, visitors walk slowly past a succession of views and landscape elements, including those characteristic of earlier 4 v Washington Park Arboretum Bulletin