Apparel June 2019 Apparel June 2019 | Page 100

DESIGNER SPOTLIGHT WORKING WITH ARTISANS Given that India is one of the few countries with an incredible living heritage of textiles, Padmaja committed herself to working with rural artisans that craft hand-spun, handwoven natural fibres. “Working with handlooms provides flexibility, versatility, and innovativeness. The use of handlooms has many advantages, including less capital-intensive projects, use of minimal power, eco-friendly quality, flexibility for small production, and adaptability to market requirements. Besides, with textiles being the second largest employment sector in the country—after agriculture—they can also play a key role in decentralising wealth and employment generation in rural areas,” she says. Over the years, Padmaja has worked with master weavers from West Bengal, Madhya Pradesh, Gujarat, Andhra Pradesh, and Assam. In the aftermath of the devastating floods in Kerala in August 2018, Padmaja, along with other designers, pledged to support the ‘Save the Loom’ project to help the weavers of Chendamangalam, who lost their looms, homes, and lives to the flood waters. A meaningful collaboration between weavers and designers, the project endeavours to weave a contemporary language for the Kerala mundu (traditional sarong/dhoti), thereby creating new domestic and international markets for it. While the textile heritage in India is an invaluable resource, Padmaja adds that it also comes with a big responsibility. “Fair compensation, good working conditions, and a sense of pride and ownership are bare essentials to keep these crafts alive so that the next generation is motivated to take them up. It is the responsibility of the designers and society at large to support and strengthen the rural economy, ensure that our rural artisans—the keepers of ancient textile traditions and wisdom—are given their due dignity,” she explains. 94 I APPAREL I June 2019 ROOTED IN SUSTAINABILITY The clothing industry alone is responsible for colossal levels of environmental pollution in the form of pesticides, toxic textile dyes, and conspicuous consumption that leads to the creation of landfill. Padmaja believes that during such times, it is for each one of us to choose sustainability; to make thoughtful, informed choices, treasure natural fibres, limit synthetics, buy well, support local makers, unfollow trends, embrace home-sewing and eco dyes, exchange, donate, and recycle—in short, to practise slow fashion is the only way to be. And these sentiments manifest in her abiding ethos of designing garments mindfully and slowly, in limited numbers, with deep respect for the environment, the maker, and the community. Her garments retail at Cinnamon, Bangalore; Elahe and Anonym, Hyderabad; Amethyst, Chennai; Options, Ahmedabad; Mélange, Mumbai, Jurgen Lehl's Babaghuri, Japan; and at trunk shows and pop-ups in Kuwait and Japan.