Apparel April 2019 Apparel May 2019 issue | Page 43

FEATURE WHAT ARE EXPORT SURPLUS FABRICS? ‘Export surplus fabrics’ is a broad term that is used to refer to fabrics which have been rejected in the export market. The cause for rejection could be quality, delay in supplies or simply excess quantity ordered which could not be used. Export markets are usually very finicky about quality—not only in terms of fabric quality but also detailing like colours, size of prints and so on—and delivery schedules of fabric. At times, there are colour variations in the fabric lots due to which they get rejected. Sometimes, the ordering or delivery is delayed and the entire lot is rejected. This and variation in colours are the main reasons why such bulk quantities of fabric become available. Exporters earlier would sell them at dirt-cheap prices to domestic wholesalers, who would then offer them for sampling and even L@JHMFRL@KKPT@MSHSHDRNEOQNCTBSHNMQTMR Ű What makes these fabrics attractive is that they are trendy, stylish and are ‘in’ with what is selling on the streets of New York, Milan or Paris. The downside to this is that the fabric is available only in limited quantities. The design available, say of 100 metres, cannot be reordered or more quantities cannot be obtained. This could be limiting to a designer but the cost benefits usually make up for this. For instance, what in a production run would cost around R200 per metre could be got as export surplus for R50 a metre. Some shops at Shanti Mohalla sell the fabrics by weight. Thus, the cost of production is reduced dramatically. Of course, one has to take into account the colour fastness and general PT@KHSXNESGDBKNSG Ű 352'8&7,21&(175(6b The fabrics come from several places, of which South India and Surat stand out. Surat is considered a haven for fabrics made using man-made fibres like polyester, viscose filament yarn, spun yarn, nylon, noil and its varying blends. Given the properties of the yarns, it is easier to experiment with and try out permutations and combinations to get different textures, weaves, effects and fabrics of varying weight. The trade, however, is organised akin to the South India- based system of dealing through traders. Most traders are located in Surat with their base in Delhi, Mumbai or Bengaluru. Alternatively, the sampling outlets in Delhi are linked to a trader who has looms under him where the production is carried out. The buyer sends the prints for development. Most of the fabric designing, printing, and size of prints are buyer-driven. There GIVEN THE PROPERTIES OF THE YARNS, IT IS EASIER TO EXPERIMENT WITH AND TRY OUT PERMUTATIONS AND COMBINATIONS TO GET DIFFERENT TEXTURES, WEAVES, EFFECTS AND FABRICS. APPAREL I May 2019 I 37