Anderson Ranch Arts Center Workshop Catalogs 2000-2009 | Page 38

3d sculpture THE SCULPTURE program embraces the full spectrum of contemporary creative practice, incorporating the environmental, performative, electronic and virtual activities as well as object-making in metal, wood and other media. While all program directors provide input into programming, the Sculpture Program is directly supervised and planned by Doug Casebeer and Susan Working. They are supported by sculpture studio manager Jason Speich. Instructors encourage exploration and experimentation, emphasizing process and idea development over finished pieces. Students work in open, fully-equipped studios, using traditional and nontraditional materials and methods. The main sculpture studio encompasses 2,000 sq. ft. indoors, with another 1,500 sq. ft. of outdoor space. It also houses a small foundry. Sculpture classes are held throughout the Ranch, and workshops also meet in the ceramics studios, the Maloof Wood Barn and the digital labs. than 30 years, and has received grant support and requests for teaching, exhibitions of his work, and for public and private commissions. June 1 - 5 Small-Scale Wearable Sculpture  Developing Steel Sculpture:metals II Carl Reed    CORE class June 8 - 12 Introduction to Steel Sculpture: Tuition: $675  ARAC Actual Cost: $875  Studio Fee: $95 Code: S0303  Enrollment Limit 10 metals I Carl Reed    Tuition: $675  ARAC Actual Cost: $875  Studio Fee: $95 Code: S0202  Enrollment Limit 10 Carl Reed, Braced Ring with Outlyer (installation detail) Carl Reed, Braced Stone (detail) The metal sculpture facility offers: • TIG, MIG, and stick/arc welders • Plasma cutter • Air compressor • Small gas forge • Oxygen/acetylene torches • Sandblasting cabinet • Pneumatic die grinders • Small metal foundry • Electric angle grinders and jigsaws • Cordless drills • Table saw • Chop saw • 4-foot 20-gauge jump shear • Band saws for metal and wood • 2 drill presses • Bench grinder • Bench sanders for wood and metal • Hand tools; wrenches, saws, pliers, chisels, snips, clamps, and much more. • Studio has computer and internet access, plus WI-FI service. June 15 - 19 CONCEPT: This workshop is an introduction to a variety of fabrication methods and creative concepts. Although the class will focus on working in metal (primarily steel), students will also consider the basic compositional elements that apply to threedimensional work in all media. Given the short duration of the workshop and the fact that students will be considering many things for the first time, experimentation will be given high priority, although finished pieces may also be realized. Students with backgrounds in other art forms can explore ways to integrate their knowledge with new perspectives and techniques. Assignments will combine acquiring skills with conceptual thinking, to ensure that students can express themselves as they learn. MEDIA & TECHNIQUES: Steel and other metals; welding, brazing, cutting, shaping and finishing. ACTIVITIES: The week will progress from introductory demonstrations and assignments, skill practice, and lectures to independent work, analysis, individual meetings and discussion. SKILL LEVEL: Levels I - II (Minimum Skill Level I) – See this page for skill level descriptions. FACULTY: Carl Reed received a BA from Dartmouth College, an MFA from Pratt Institute, and currently teaches at Colorado College. He has had solo exhibitions in New York, Los Angeles and San Francisco. His primary focus has been public sculpture, including many site-specific commissions awarded through national competitions. CONCEPT: This course can be taken as a continuation of the introductory workshop or as a separate experience. Students with basic knowledge will work on assignments designed to strengthen their conceptual and compositional skills. These assignments will be determined by self-analysis and discussions with the instructor. Opportunities will be available to gain more knowledge in such areas as forging and using metal with other media. While the primary emphasis will be on exploration, discussions and demonstrations, this course will also focus on finishing and presentation. Advanced participants can develop a series of related works and consider topics with which they may be unfamiliar. In all cases, the inseparable relationship between concept and material will be closely examined. MEDIA & TECHNIQUES: Steel and other metals. ACTIVITIES: After taking an inventory of everyone’s interests and experience, the week will proceed by combining focused individual contact with group discussion and analysis. SKILL LEVEL: Levels II - IV (Minimum Skill Level II) – See this page for skill level descriptions. FACULTY: See Carl Reed’s bio on this page.. June 15 - 19 Alternative Materials:recycled cardboard Jason Schneider    Charles Pinckney    June 8 - 19 Tuition: $625  ARAC Actual Cost: $825  Studio Fee: $85 Code: S0101  Enrollment Limit 10 Intimate Clay: innovative techniques Michael Sherrill    Jason Schneider, See Through Sphere  *See page 32 for a full workshop description SCULPTURE SKILL LEVELS: Charles Pinckney, Taking a Risk (detail) CONCEPT: Students will explore design and the concept of “art as oral tradition” using traditional metals and surface embellishment techniques as a foundation for combining metals with natural materials to fabricate wearable sculpture. Students will learn through discussion, demonstration and handson experience, and will leave the workshop with several techniques and at least one piece that is close to being completed! We will also work with students’ design books and sketches. MEDIA & TECHNIQUES: In addition to traditional metal fabrication, potential materials include: sterling, titanium, copper, bronze, steel, iron, wood, stone, leather, glass, rubber, bone, plastic, paper, found objects, etc. Open to All – Students of any skill/knowledge level. Michael Sherrill, Flourish Rhododendron  *See page 28 for a full workshop description June 15 - 19 Art Foundations:charrette Joshua Enck    FACULTY: Charles Pinckney is a studio metalsmith working in jewelry and metal sculpture using traditional techniques and non-traditional designs; wor