AMRAPAALI January 2015 | Page 18

18 Amrapaali / January 2015 NEWSTREK Mexican dance Photo courtesy: Thelatinoauthor site The project has been influential to people and the cultural industry at various level. At some case, it has been equally beneficial on the public sector. José Juan Espinosa Torres, the Mayor of San Pedro Cholula enthusiastically arranged a workshop and unbelievably it scored the highest numbers of registrations. He then launched a public policy of assuring permanent and constant consultancy for local entrepreneurs and invest around half million US Dollars in the capacity of Arts and culture. He says, “Culture is a universal right and projects like this will help San Pedro Cholula.” In other case, Miguel Ángel Mier Delgado, Director of the Municipal Culture Institute in Guadalupe after participating in one of the Paralelo 9XM workshop, initiated a public policy to help designers, advertising professionals, scenic artists and art galleries professionalize their businesses. This concept led to the emergence of ‘Mercadito Culturoso’ an unprecedented local initiative for artists to exhibit and promote their products in markets. Mr. Mier Delgado mentiones that, “The ‘Mercadito Culturoso’ has been a great success, in that it represents a way for creators and artists to generate income for themselves, which in turn boosts the local economy in Guadalupe.” Likewise in Cameroon, the Research Centre for Peace, Human Rights and Development (REPERID) designed a project named as “Decentralization, the Diversity of Cultural Expressions and Local Policies: a new paradigm for local development strategies in Cameroon” in support from UNESCO’s International Fund for Cultural Diversity (IFCD). Mbuagbaw E. Peter, coordinator at the REPERID, says that, “On the one hand, most councils in Cameroon still don’t recognize the potential of culture in promoting multidimensional, sustainable development. On the other hand, the few councils that do recognize this potential, lack the knowledge about the legal