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“We used 32 of the powerful L’Acoustics K1
line array (16 a side) and 30 of the classic but
phenomenal L’Acoustics V-DOSC (15 a side)
because of the distance we had to cover and
due to the venue, which didn’t allow for delays.
This was supplemented with L’Acoustics K2
flown under for downfill and L’Acoustics
Kara for front coverage and on stage either
side of the DJ. 40 SB28 subwoofers took care of
the low end quite nicely. We used a Digico SD5
desk and Dante networking from FOH to a
Focusrite Rednet to breakout the AES 3 signal
to amps stage side. Coverage was linear
throughout the venue and frequency response
throughout was smooth.”
Head of Audio Ed Ross described the DJ setup,
“We provided DJ decks – 1 x DJM900 Nexus 2
and 4 x CDJ2000 Nexus 3 plus a backup of the
same gear. On stage as DJ monitors, we provided
4 L’Acoustics Kara and 2 SB18s per side.”
Video used the impressive state of the art
Barco E2 linked with Barco S3 and Barco EX
to provide 3 x 4k input and 3 x 4k output which
was then split into 10 Full HD outputs
distributed over fibre optic cable to the 12
Barco HDF W30K projectors (6 backup) as well
as to the 4 LED processors backstage and the
live backup processors there.
There were over 300 panels of 6mm and 9mm
LED used. The fibre optic distribution was over
Lightware 220 Pro Transmitter and Receiver.
Protec’s Florian Hoss outlined the challenges
posed by such an ambitious production.
“The major challenge we faced was the
building of the LED gradually into the set which
unfortunately was met with delays due to the
rain and high winds. This had a trickle-down
effect which led to a shortened period of time
for our setup. But with excellent equipment,a
strong team and an impressive amount of
processing power we delivered a large scale
show we are proud of.”
Protec’s lighting team supplied and installed
from their extensive range of Clay Paky
fixtures 20 A.LEDA K20 Wash, 7 K10 Wash,
32 Prima Mythos 2, 31 Scenius Unico, and 20
Scenius Profile. From their Robe lighting
selection they added an impressive 88 Robe
Robin Pointe. All this was supplemented with
SGM P5 and P2, and over 200 classic parcan
fixtures. Protec also provided the latest
full-size GrandMA3 and full-size GrandMA2
lighting consoles. once again and look forwardto supporting
their next big festival!”
These final words from event director Tessa
Sprangemeijer, of Envie Events, pay testament
to Protec’s efforts and contribution to BAO.
“A production the scale of BAO requires
nothing but the best from all teams and
suppliers. Therefore we’re happy to once again
have enlisted Protec who, with their extensive
experience in AV Technology in the region,
took this project to the next level.
The lighting was designed by
Ronnie Santegoeds of 4Light
ShowProjects and
operated by the 4Light team.
Mr. Santegoeds praised the
crew for getting everything
done on time despite the
weather.
“The Protec team and entire
crew were very motivated to
get the job done and done professionally.
Big thumbs up for Mel, Aaron, Luke and the
entire team for their efforts to ensure the show
went ahead on time and looked great!”
Mel Deighton reflects on the success of this
show celebrating the Chinese culture and its
relationship with the Middle East.
“The world-class DJs were all incredibly
positive about the audio and sharp visuals.
I’d like to particularly congratulate my team
on their efforts, long hours and dedication to
the event. These professionals are what the
Protec reputation is built on.
We were delighted to work with Envie Events The difficulties faced with a detailed stage
of this magnitude and the storms we had
to endure had everyone on their toes, but
teamwork, dedication and in-depth knowledge
ensured everyone came together and brought
forward solutions for every obstacle faced.
In the end this surmounted to a show like
never before seen in the region, we’re
very proud!”
www.productiontec.com