A Reflective Lens: Music Pedagogical Research to Transform Practice | Page 93

A Reflective Lens: Music Pedagogical Research to Transform Practice My mentor provided me a platform to deconstruct my lessons and helped me to reconcile my beliefs and assumptions, thus allowing me to achieve the depth and breadth of critical reflection that I otherwise could not have gained by myself. After every lesson, my post-lesson discussion would focus on how I felt the lesson had gon e, why it went the way it did, and what I could have done to make it better for my pupils’ learning (Hickson, 2011). My mentor also contributed ideas and suggestions that I found invaluable in helping me close the gaps identified in my lessons. During the research, my co-teacher-researcher Mr Salleh was another sounding board for me as we discussed the level of engagement of the pupils in the music class. I also made friends with fellow researchers and as we shared our research projects, we formed a support group. The safe environment and supportive culture within the group gave room for us to expose our vulnerabilities and question one another, without feeling judged (Hickson, 2011). Pupil Learning Resulting from Singing Games Data collected from the surveys, questionnaires, interviews and field notes were coded. From our findings, we categorised the data into three domains, namely cognitive engagement, behavioural engagement, and socialemotional engagement. Cognitive Engagement Pupils learn better when learning is scaffolded and when they are sufficiently challenged cognitively. Learning from and with peers help pupils generate meaning in their learning. Peer interactions also help to build their social interaction skills which are part of the pupils’ development 90