forgiveness ’, ‘ courage ’, and ‘ healing ’ needed to fully move past the witch ’ s damaged history , separating her painful ‘ memory ’ from the symbol she has become . Like Doshi ’ s poem , Boodoo-Fortuné humanises the witch , as she loses her contradictory title to become a simple ‘ daughter .’ Moreover , Boodoo-Fortuné ’ s respect for the careful preparation of ingredients and their precious ability to ‘ anoint ’ individuals preserves witchcraft ’ s inherent spiritualist beliefs which have been progressively overwritten by the dominant image of the witch in a pointed hat on a broomstick . Indeed , we must ‘ pull up from the root ’ all our historic prejudices towards the witch , only by incorporating the practical resistance of witchcraft as seen in Doshi and Boodoo-Fortuné ’ s poems can we create a hopeful future . The witch is cautious at the end of this anthology , told to ‘ keep beneath [ her ] bed as she is still