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Wuthering Heights

A new and strange Book has been the source of excitement in London Wuthering Heights, by Ellis Bell has been a disturbing and controversial book. Here at the Bridge we have asked three journalists to review this work.

This is a strange book. It is not without evidences of considerable power: but, as a whole, it is wild, confused, disjointed, and improbable; and the people who make up the drama, which is tragic enough in its consequences, are savages ruder than those who lived before the days of Homer. With the exception of Heathcliff, the story is confined to the family of Earnshaw, who intermarry with the Lintons; and the scene of their exploits is a rude old-fashioned house, at the top of one of the high moors or fells in the north of England. Whoever has traversed the bleak heights of Hartside or Cross Fell, on his road from Westmoreland to the dales of Yorkshire, and has been welcomed there by the winds and rain on a 'gusty day', will know how to estimate the comforts of Wuthering Heights in wintry weather...

If this book be, as we apprehend it is, the first work of the author, we hope that he will produce a second,—giving himself more time in its composition than in the present case, developing his incidents more carefully, eschewing exaggeration and obscurity, and looking steadily at human life, under all its moods, for those pictures of the passions that he may desire to sketch for our public benefit. It may be well also to be sparing of certain oaths and phrases, which do not materially contribute to any character, and are by no means to be reckoned among the evidences of a writer's genius. We detest the affectation and effeminate frippery which is but too frequent in the modern novel, and willingly trust ourselves with an author who goes at once fearlessly into the moors and desolate places, for his heroes; but we must at the same time stipulate with him that he shall not drag into light all that he discovers, of coarse and loathsome, in his wanderings, but simply so much good and ill as he may find necessary to elucidate his history—so much only as may be interwoven inextricably with the persons whom he professes to paint. It is the province of an artist to modify and in some cases refine what he beholds in the ordinary world. There never was a man whose daily life (that is to say, all his deeds and sayings, entire and without exception) constituted fit materials for a book of fiction.

Meanwhile our year 8 reviewers said:

Wuthering Heights is a strange sort of book,—baffling all regular criticism; yet, it is impossible to begin and not finish it; and quite as impossible to lay it aside afterwards and say nothing about it. In the midst of the reader's perplexity the ideas predominant in his mind concerning this book are likely to be—brutal cruelty, and semi-savage love. What may be the moral which the author wishes the reader to deduce from his work, it is difficult to say; and we refrain from assigning any, because to speak honestly, we have discovered none but mere glimpses of hidden morals or secondary meanings. There seems to us great power in this book but a purposeless power, which we feel a great desire to see turned to better account. We are quite confident that the writer of Wuthering Heights wants but the practised skill to make a great artist; perhaps, a great dramatic artist. His qualities are, at present, excessive; a far more promising fault, let it be remembered, than if they were deficient. He may tone down, whereas the weak and inefficient writer, however carefully he may write by rule and line, will never work up his productions to the point of beauty in art. In Wuthering Heights the reader is shocked, disgusted, almost sickened by details of cruelty, inhumanity, and the most diabolical hate and vengeance, and anon come passages of powerful testimony to the supreme power of love—even over demons in the human form. The women in the book are of a strange fiendish-angelic nature, tantalising, and terrible, and the men are indescribable out of the book itself. Yet, towards the close of the story occurs the following pretty, soft picture, which comes like the rainbow after a storm...

We strongly recommend all our readers who love novelty to get this story, for we can promise them that they never have read anything like it before. It is very puzzling and very interesting, and if we had space we would willingly devote a little more time to the analysis of this remarkable story, but we must leave it to our readers to decide what sort of book it is.

We strongly recommend all our readers who love novelty to get this story, for we can promise them that they never have read anything like it before. It is very puzzling and very interesting, and if we had space we would willingly devote a little more time to the analysis of this remarkable story, but we must leave it to our readers to decide what sort of book it is.