Yawp Mag ISSUE 21: Producers of Comedy | Page 36

Steph Brotchie Steph Gray Steph Brotchie is a production powerhouse. Founder of ‘Don’t Be Lonely’ (previously Slow Clap Productions), she has a stellar reputation for creating hits. According to the D.B.L website, the range of live work she produces includes, “physical comedy, experimental stand-up, idiot theatre, clown, character comedy, dance, workshops and other kinds of fun art”. A couple of examples of her work include Barry-Award winner Dr Brown and Barry-Award nominee Tygve Wakenshaw. Brotchie is a strong advocate for eclectic, independent, emerging artists and believes in turning good ideas into great performance. She contributes greatly to The Arts, including involvement in projects with the City of Melbourne, the National Gallery of Victoria, State Library of Victoria, Next Wave Festival, the Tuxedo Cat and the Emerging Writers’ Festival. When it comes to being a good producer, Brotchie insists that you must have passion, engagement in the artistic community of which you are a part and, very importantly, organizational skills. “Good producers make things happen - they drive ideas into action. I think the best producers are the ones that are artist-focussed, rather than money-focussed, who value the work over the ‘market.’ The ‘market’ usually rewards good work, so working with talented peo- L-R - Trygve Wakenshaw, Pat Burtscher, Alasdair Tremblay-Birchall, Stuart Bowden & Ste ple who work hard will pay off in the end.” Her recommendation for producing live comedy acts is that you choose to work with good people. People who are more than just good at what they do, but also those who are genuine and caring. “That’s obviously important, but I think it’s also important that the artists you invest your time and your ‘brand’ in are people that you like, people whose work you like, and whose work ethic matches your own. I think a good producer enters into a collaborative relationship with their artists, in which the creative side of the work bleeds into the production side and vice versa. The smaller the gap between