Worship Musician October 2018 | Page 107

pursue endless excellence. So, with our music with almost every gig and when I lead worship I am only responding I play, especially with to the music in the moment and trying to glorify Local Sound. I use a Him with my craft, no matter the genre. If you Roland SPD-SX and see a show live, you will notice I am doing triggers running to my something different every night and that is a acoustic snare, acoustic response to the spirit and the moment at that kick, as well as drum pad given time! I just think it is okay and important on my side, and an electronic to know that you can present more than the kick pedal. This is so important basics in Church. because you are able to take the iconic sounds from the record and [WM] Speaking of learning and education, do play them with a live feel and layer them you still teach privately, and if so how does that on top of your real drums. This allows you work? to change things up live while also capturing the essence of the originally drum part. I would love [Garrett] Yes, I do. I mostly teach in the spare to share more about this if anyone is interested. time off the road, via Skype and this app called MeetHook (visit GarrettPTyler.com for more [WM] In the Hotel Sessions video for info). “Shepherd” in addition to the lovely string trio, you’re playing keyboard bass. What other [WM] It’s kind of funny, but one of the instruments do you play? I love that guy! So, this kit is a dream. Unfortunately, it isn’t on the road with me for this tour because we are all sharing a kit. But, I take it out a ton if the gig needs that huge warm sound. This kit belonged to Bryson Nelson from Nelson Drum Shop in Nashville. It was his personal kit, but he was needing to sell it so I snatched it up. In fact, it was Paul Mabury’s favorite kit to play and record. He used it a ton in the studio on records, and for some of the comments I made in the Local Sound interview I did with Jared in this issue was that you guys [Garrett] So, I play drums, all percussion kind of remind me of LANY with a purpose. (mallet, orchestral, world, etc.), piano, keys, Seeing your LANY cover confirmed that they and I sing BGVs. Wanting to learn bass and are at least on your radar. Can you tell us about guitar next! I Want That Sound samples. It definitely has some history! [WM] You have a number of endorsements, including Shy Baffles. Those look awesome, your approach for combining digital sounds with an analog kit? [Garrett] Jon is amazing. [WM] Jon at WorshipDrummer.com was kind enough to let us use the Drum Gear Run Down [Garrett] Wow, this is great. The LANY you did. I was a huge Beatles fan as a kid, so guys are actually friends! Jake, the drummer your vintage Ludwig set completely blew me is a fellow Arkansan and dear friend. As far away – wow! Can you tell us the story behind as merging digital sounds and the acoustic that kit, and did you take it on the road with you drums, it is fascinating and something I do for the Heaven tour? how did you find out about them? [Garrett] Shy Baffles are amazing and are blowing up. William and his team are really changing the game because they are lightweight, sleek, and block enough bleed-age without choking the tone of the drums. Live performances need live drums and these give the engineers the control they need while still allowing the drummer to feel connected and a part of the stage. (I hate big drum shields!! LOL) [WM] Thanks again for your time – is there anything else you’d like to add? “Dumb Stuff” // LANY Drum Cover “Shepherd” // Local Sound Hotel Sessions [Garrett] It has been an absolute pleasure and I just encourage everyone to work hard and stay true to themselves and your craft. At the end of the day what you do doesn’t make you who you are. So, value the relationships you make and it will make music and life way more fun! Garrett P. Tyler Drum Gear Run Down // WorshipDrummer.com Garrett’s Shy Baffles Video October 2018 WorshipMusician.com 107