Worship Musician November 2019 | Page 40

NEW MUSIC SELECTIVE HEARING | Robert Berman DEAD SET SAINTS LZ7 JEREMY CASELLA We Are the Atoned (EP) These Are Better Days Spirit Electronic pop and hip-hop may rule the roost The UK musical collective that arose from The world of modern music is so broad and right now, but fans of technical power metal the ashes of Worldwide Message Tribe still deep that many of us have had the experience acts like Symphony X will love this six song has a message to transmit through highly of discovering a “new” artist only to find that he collection by the trio of Jeremiah Miller, Matt danceable electropop. It’s not a genre known had half a dozen albums. Jeremy Casella has Freddolino, and Andrew Stanton. Five tracks for profundity, but in this case the results are worked with the terrific Indelible Grace project, are full-on rock with all the double kick-drum more explicitly biblical than many Christian which puts modern tunes to neglected hymn and finger-tapping guitar your head banging albums in supposedly more thoughtful genres. texts from yesteryear; his interpretation of Darwin heart desires; closer “The Love” is a half-time “Golden” has a backing track reminiscent of Jordan’s “Hallelujah, Praise Jehovah” (Psalm 146) ballad which starts acoustic but builds soon the jaunty Japanese Katamari video games. “I should be in congregational worship rotations enough to an electric praise anthem. Too C Love” speaks to the value God places on his everywhere. Casella’s impassioned vocals recall much modern metal is just mindless drop-D children. “Legends” appears in three different Richard Marx with a sprinkling of Bono. He crunching with no attention to melody. This is mixes; it’s a praise song looking forward to knows when to croon and when to soar. Piano not that; the Saints are marching through some the day. “G.O.A.T.” is mainly a boast track but and acoustic guitar lead the way here. Do we great melodies that would sound good in any does get in a shout-out to “The Great I AM.” need another acoustic singer/songwriter? In genre. Nor is there any attempt to hide their “Up” weaves lyrics from Psalm 23, Psalm this case, yes, without question. Two marks set gospel light with coded language and vague 126, and 1 John 4. “Give My All” is a romantic Casella off from a crowded field of peers. First, talk about the love of the unspecified “you.” As apology song. “Giant Killer” tells a sweet tale his lyrics show him to belong to the fraternity of the title track says, “We are the atoned / We of parental affection and even works in a Star songwriters who, like Rich Mullins and Andrew once were convicted / Our shame is all gone / Wars reference. The running musical thread is Peterson, love to spend time in the Bible. “Many We have been forgiven.” Good stuff! relentlessly driving, danceable, hooky pop. Waters” concatenates a score of quotations and allusions from Song of Solomon into a song of encouragement for his wife Brooke. “Last Chance // Psalm 88” tackles one of the toughest chapters in Scripture, a cry of abandonment that receives no immediate answer. Second, Casella has a secret weapon in Ben Shive, turning in the best string arrangements of a career already piled high with beautiful work. “The Slow Surrender” is the best acoustic rock track I’ve heard all year. Robert Berman Robert is a Sunday School teacher, music nerd, and acoustic guitar enthusiast. He lives in rural Tennessee with his wife and three boys. 40 Add this to your “must-listen” stack. November 2019 Subscribe for Free...