Worship Musician November 2017 | Page 58

NEW MUSIC [ SELECTIVE HEARING | Robert Berman ] BRANDON HEATH JESS RAY Faith Hope Love Repeat Pull the Stars from the Sky to say about the future. Mortality seems to be on her mind, judging from the album cover depicting a dance with the shroud of death and lyrics like “Whistling past the graveyard Much of Heath’s seventh album is generic, mid- tempo pop, but a few songs stand out. The title track is a touching father’s meditation on hopes for his child. “I want to take you for a ride when you cannot sleep… I brought you into this world, and I’m sorry it’s a little bit crazy.” But the best track is the buoyant disco of “Got the Love,” which has “instant hit” written all over it. A strong theme of comfort runs through the lyrics, as evidenced by song titles like “You’ll Find Love Again” and “Don’t Be Afraid.” Album opener “The Future is Bright” serves that theme with anticipation of the return of Christ, while the acoustic finale “Only One in the World” ghost so I don’t hear him speak” (“How Do You Know”). Bruce Cockburn accompanies her on vocals and guitar for his 1974 song “All the Diamonds,” while Peter Yarrow joins her to render Peter, Paul, and Mary’s 1963 apocalyptic track “The Very Last Day.” The title track, “Perfectly Imperfect,” and “Falling Forward” show a woman coming to grips with her limitations and failures. Instrumentation sticks to a classic soul and pop country mix of acoustic piano and guitar flavored with electric leads, harmonica, and Hammond organ. Hall’s vocals, throatier and raspier than before, have lost none of their ability to convey her heart. encourages the downhearted with sympathetic Besides releasing a stellar live single of Jesus Music classic “Easter Song” earlier this year, Jess Ray also completed an album of originals, armed only with her guitar and “recorded in one day in an old mill” according to the liner notes. Ray has one of those melting-chocolate alto voices that you’d be happy to hear singing the phone book, somewhere between Florence Welch and Kim Hill. But she proves herself an adept lyricist as well; “Water Wind Fire” (heard in rock version on an EP last year) explores three different metaphors for the power of God: “We say that you’re consuming. Well, I’m a fool for thinking you would only warm me. You’re going to burn me up.” “The Answer for Every lyrics and a tender delivery. TAYLOR LEONHARDT Question” doesn’t just tell us we ought to praise River House Jesus; it gives us dozens of reasons to do so. PAM MARK HALL CHRISTA WELLS Mangle the Tango Hatteras EP Fans of Allison Pierce, Leigh Nash, and Patty Griffin will love this North Carolingian’s folk/ Before Kari Jobe, before Rebecca St. James, before Amy Grant, Pam Mark Hall was creating beautiful acoustic music in the vein of Joni Mitchell or Linda Ronstadt on mid-70s albums like “Flying” and “This Is Not a Dream,” while writing for Grant and others. Hall has turned her attention to other pursuits more recently, with sporadic recordings like the well-received “Paler Shade” in 1993, and performing with Jerry Chamberlain (Daniel Amos) as Pamelita and Parker. She returns now with something alt-country expressions of faith and frustration. “When You Open Your Mouth” describes the fears of moving to a new home, while “Today If You Hear Him” lists language from the book of Hebrews, inviting us to approach God as children. “Sunday in the Park” chronicles the course of a loving marriage, with tasteful piano waltzing with string accompaniment. “Would you be well from crushing anxiety and live inside a peace you can’t understand?” Yes, we would. The Dove-award winning author behind Natalie Grant’s 2006 hit “Held” has continued to unfold a string of albums under her own name and as half of the duo “More Than Rubies” with Nicole Witt. In between a 2015 collection of mainstream covers and a full-length album due next year, Wells recently unveiled a trio of new tracks, the highlight of which is the optimistically bluesy “Getting My Hopes Up,” which appears in both vocal and instrumental versions. Her expressively quavering vocals call to mind Karen Bergquist of Over the Rhine. 58 November 2017 WorshipMusician.com